Gibson, piano and sine wave drones
Avant Media CD
Composer Randy Gibson’s 50 minute long Aqua Madora, for sine wave drones and piano tuned in just intonation, is an exquisitely lovely piece. Gibson uses his studies of tuning systems, composition, and singing with LaMonte Young and Marian Zazeela as a jumping off point – even going so far as to tuning some of the intervals (particularly seventh scale degrees) in homage to these masters of early minimalism.
As touching as this tribute is, especially at a time in which the importance of Young’s work is not nearly as widely known as it should be, Aqua Madora is not just about expressing gratitude for knowledge transmitted between teacher and student. In collaboration with Ana Baer-Carrillo and Dani Beauchamp, Gibson spent a long time refining this piece as a multimedia work containing film and dance.
One needn’t have these visual elements to enjoy the suppleness and subtleties of Aqua Madora’s music. Gibson’s play with intervals that sound “out of tune” to those accustomed to equal temperament is particularly sensitive. He allows the tangy appearances of these notes to color the drift of harmonic progressions and provide fascinating variants that add a tinge of the unexpected to scalar passages.
An aside: I wasn’t the only one in the house to be floored by the piece. Our tabby cat, Happy, comes running every time I put it on, and blisses out between the speakers. While I’m not trying to make a partisan statement in the temperament wars using inappropriate anthropomorphism, it’s worth noting that she seldom gets this excited by music in equal temperament!