Simone Dinnerstein plays Bach and Schubert (CD Review)

Something Almost Being Said

Works by J.S. Bach and Franz Schubert

Simone Dinnerstein, piano

Sony Classical CD

Simone Dinnerstein sometimes serves as the Bach pianist antipode of the late Glenn Gould. Where Gould set the pace for Bach playing at an often prestissimo, sometimes frantic, clip, Dinnerstein often seems willing to exult in elegant turns of phrase and luxuriate in legato lines, requiring a more stately pace. This observation is not meant to suggest that Dinnerstein isn’t capable of her own moments of presto-infused abandon, as one can hear on Something Almost Being Said in the sprightly movements of Bach Partitas Nos. 1 and 2. But these are balanced by cantabile sections that accentuate breaths between phrases. As the Sony CD’s title suggests, Dinnerstein seeks to emulate the phrasing of vocalists and extol the melodic suavity of both J.S. Bach and Franz Schubert. This goal is never achieved through mannered playing or fussily implemented rubato. Rather, Dinnerstein successfully captures the elusive fluidity that tempo fluctuations require in order to seem organic.

Schubert is represented by the four Op. 90 Impromptus, pieces in which the composer provides seamless linear trajectories of his own. Dinnerstein makes the widely contrasting dynamics and the more bravura passages of these works stand out in stark contrast to their effusively shimmering legato passages. Notably, her traversal of the famously challenging chestnut, No. 3 in G-flat Major, is spellbinding. While instrumental music can, at best, provide us with unspoken communication that is “almost said,” metaphorically at least this recording “speaks” volumes. Recommended.

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