Temporary Residence Ltd.
Best known as half of The Books, an indie duo that incorporated both electronica and classical crossover signatures (before the latter was cool!), Nick Zammuto recently released his first solo LP for Temporary Residence.But rather than being a ‘music minus one’ presentation, a recording in which part of a distinctive collaboration is sorely missed, Zammuto has a distinctive sound all its own.
Its leadoff track, “Yay,” underlines that point with an interesting use of vocoder, crafting layers of beat-boxing in counterpoint to skittering live drums and sustained organ lines. Modified vocals are instead employed as longer melodies swaths on “Groan Men, Don’t Cry,” where they are set against syncopated guitar riffs, prog-inflected synth work, and funky percussion fills. “F U C3PO” combines appropriately sci-fi-sounding effects with saucy vocoder singing, taunting the droid mocked in the song’s title.
While this frequent employment of synthetic vocal production could, and, in other settings has, become a gimmick, here Zammuto uses it to provide a distressed, glitchy alternative to the lush sonic palette found on his records as part of the the Books. And don’t assume that the arrangements on Zammuto are only about gadgetry. One need only check out the bass line on “The Shape of Things to Come,” not to mention its varied array of percussion, imaginatively deployed and performed with zesty elan, to belay that notion.
Whether within the Books or as a solo act, one looks forward to many more interesting sounds from Nick Zammuto.