Quinto Libro di Madrigali
It’s tempting, yet often misleading, to create direct parallels between life and art. The music of Carlo Gesualdo (1561-1613), effusively expressive and, at times, wildly chromatic to many 21st century listeners, has likely become inextricably linked to the scandalous facets of his biography. But the musical traits which made Gesualdo’s madrigals so memorable needn’t be treated as isolated phenomena perpetrated by an unbalanced individual. Gesualdo was not the only composer in his circle who experimented with what are now considered unusual musical practices: unprepared modulations, colorfully chromatic melodic embellishments, and audacious text-painting devices. He’s just the Neopolitan madrigalist who did so most memorably.
For this ECM recording of Gesualdo’s fifth book of madrigals, Hilliard Ensemble members countertenor David James, tenor Rogers Covey-Crump, tenor Steven Harrold, and bass Gordon Jones join forces with guest artists soprano Monika Mauch and countertenor David Gould: both singers who have appeared with the ensemble, in concert and on record, in the past. Their intonation, throughout the wending and widely diverging chromatic pathways found in these pieces, is flawless. In addition, one senses a forward momentum and particularization of articulation that impels us to savor as well the considerably intricate rhythmic dimensions of this music.
Another joy in hearing this recording is noting that, despite attention to these various details, the Hilliard Ensemble never exaggerates them. With such rich and evocative repertoire at their disposal, all too frequently, one hears vocal groups overplay their hand. Balancing passion with restraint is too rarely found in Gesualdo recordings; negotiating the correct calculus for this makes the Hilliard Ensemble’s rendition a benchmark one. Recommended.