When I heard about Elliott Carter’s passing on Monday, many thoughts went went through my mind, including wondering whether the composer had gotten to hear cellist Alisa Weilerstein’s exquisite performance of his Cello Concerto. Her interpretation on a new disc from Decca is a distinctive one, rivaling previous interpreters Yo-Yo Ma and Fred Sherry in terms of technical acumen and bringing a dramatic heft to the piece’s solo part that is most impressive. I hadn’t yet seen the video (embedded below) of a meeting this past summer of Weilerstein and Carter, in which the composer coaches her through some of the concerto’s trickiest passages. Alex Ross posted it yesterday on The Rest is Noise and I’m grateful to see Carter in a convivial mood, wit undiminished and with musical insights aplenty to share.
If you haven’t heard the recording, I strongly recommend it. Not only is Weilerstein’s performance of the Carter noteworthy, she, along with the Staatskapelle Berlin conducted by Daniel Barenboim, also presents a beautifully vibrant performance of the Elgar Concerto and a supple rendition of Bruch’s Kol Nidre.