Prolific yet unpredictable, Ty Segall is a standard bearer for the most recent group of artists who have managed to resuscitate garage rock and punk, genres that some thought had already been mined of all their freshness by several previous such returns. The Ty Segall Band’s In the Red release Slaughterhouse is one of three recordings on which Segall appears in 2012: he also recorded Twins under his own name via Drag City and Hair with White Fences.
There’s little doubt that Iggy Pop and the Stooges are patron saints of Segall and company. The singer’s throaty cries also channel Screamin’ Jay Hawkins and Eric Burdon in places. Yes, he has collected the right records; but Segall’s isn’t living the garage punk experience secondhand. The seemingly restless creativity that fuels his prolific streak also inhabits the nervous energy and chaotic spirit of Slaughterhouse, Twins, and Hair. All three recordings exude a swaggering ebullience that can’t be faked or finessed by hype proliferators.