Andy Akiho. Photo: Aestheticize Media.
I had mixed feelings about the Dec. 22nd Contact! concert at Symphony Space. The first concert curated by the New York Philharmonic’s current composer in residence, Christopher Rouse, it featured two commissioned works for sinfonietta and a New York premiere, all by fast rising composers, as well as Counterpoise by Jacob Druckman (1928-’96). Having studied with and sung music by Druckman, I was glad to hear the Philharmonic revisit his music: a superb orchestrator who knew how to control the balance and pacing of an orchestra piece better than most in recent memory.
One was reminded by comparing Counterpoise to some of the newer music on the program just how difficult it can be to cultivate these skills. This is particularly true today, an era in which, even for very talented composers, opportunities such as Contact! are few and far between. My favorite moments came in Andy Akiho’s Oscillate, a commission for the NY Philharmonic that featured imaginative writing for the sinfonietta’s percussion cohort. Akiho himself is a virtuoso percussionist and he supplied dazzling parts for pitched and un-pitched percussion instruments and also had pianist Eric Huebner perform inside his instrument with fistfuls of credit cards: perhaps a more constructive use for them than holiday overspending! In places, the string writing was less successful, but Oscillate’s attractive harmonic palette and gestural ebullience contained flashes of brilliance.