Over at Sequenza 21 Editor Steve Layton’sBandcamp page, is a free download of a comp he’s curated, titled ppp. Description and embed below.
“Between April 26th-28th 2012, twenty-five musicians from around the U.S. and the world gathered at the music-sharing website known as ImprovFriday.com. The suggested theme for our sharing was simply “ppp;” i.e., the music term for “extremely soft and quiet.” How each person interpreted this in their own performance was left to them. This CD documents mash-ups I made during the course of the weekend event, of all the different tracks coming in to the site from these musicians. Some tracks were heavily edited, but most were left close to their original state, and simply allowed to interact with the other tracks in an unforced way.”
Musicians: Günter Gläser, Kawol Samarkand, Roger Sundström, Peter Thörn, Glenn Smith, J.C. Combs, Lee Noyes, Kavin Allenson, Steve Moyes, Richard Sanderson, Paul Muller, Lydia Busler-Blais, Benjamin Smith, Jérôme Poirier, Fabio Keiner, Norbert Oldani, Chris Vaisvil, Steve Layton, Paulo Chagas, Steve Moshier, Bruce Hamilton, Shane Cadman, Jim Goodin.
Like 170 or so other recording artists, Jherek Bischoff is in the mood for Record Store Day’s fifth anniversary celebration. Brassland is releasing a limited 7″ vinyl single featuring collaborations between Bischof and David Byrne, Zac Pennington, and Soko.
One of the reasons why recording buffs may be leaping onto the tape bandwagon: the “scavenger hunt” factor. Let’s face it, there are fewer and fewer “brick and mortar” places to browse for music. Where’s a record head to go to experience the thrill of the chase? Instead of browsing the stacks, are we consoling ourselves with searching the internet far and wide for that elusive short-run cassette (1 of only 30 or 40!)?
In the case of the Aloha Spirit’s “This is Water,” their debut release, the music is a hefty part of the equation too: an ambient mix of analog synths, field recordings, and loops aplenty. I’m still in the hunt for a physical copy, but in the meantime, the stream on their Bandcamp page has whetted my appetite for more from this Austin-based project.
So Percussion recently released remixes of tracks from Amid the Noise, their recording of music by Jason Treuting. You can grab it for free via their Bandcamp site (embed below).
Treuting recently released sheet music for Amid the Noise, which can be purchased at Good Child Music.
This year, a great number of artists and ensembles are celebrating John Cage’s centenary – even Jessye Norman and Meredith Monk are getting in on the act as part of Michael Tilson Thomas’s revival of the American Mavericks series with the San Francisco Symphony. While it will be fascinating to see that some of these “out of the box” Cage performances will be happening, it’s also nice to hear that groups like So Percussion, who have a long track record performing Cage’s music, are celebrating the centenary in style. On 3/26, they are taking part in the American Mavericks series at Carnegie Hall (details here).
The concert will be the culmination of a tour by the group featuring Cage’s Third Construction as the centerpiece of Cage-themed program entitled We Are All Going in Different Directions.
There’s an equally imaginative recorded component So’s feting of the maestro of indeterminacy. On 3/27, Cantaloupe will release So Percussion’s “John Cage Bootleg Series.” The release includes a blank LP (the better with which to perform 4’33″!), a CD sampler, and a card with download codes that will enable listeners to obtain all of the group’s Cage bootlegs online. And the audio artifact lover in me delights in the handsome homemade feel of its handsome packaging. Top to bottom, Cage’s aesthetic is well manifested in So Percussion’s activities this Spring!
We Are All Going in Different Directions: So Percussion Celebrates Cage
Feb 28: Vanderbilt University, Nashville, Tennessee (Cage’s Third Construction)
March 2: The Royal Conservatory, University of Toronto, Toronto, Canada
March 6 + 7: The McCullough Theatre, University of Texas, Austin
March 10: Lawrence University in Appleton, Wisconsin (Cage’s Third Construction)
I’ve finally taken the plunge and decided to offer some of my recordings on Bandcamp. The Gilgamesh EP includes incidental music from Immortal: the Gilgamesh Variations, a 2011 adaptation of the Epic of Gilgamesh, produced at the Bushwick Starr in Brooklyn. I made the score using electronics, prepared piano, piano, voices, and percussion. It was great fun to hear my music as part of a play, albeit on tape.
The next step for the Gilgamesh project: creating a concert suite from the score for live instruments. On August 24 at Riverside Church in New York, Locrian Chamber Players is going to premiere Gilgamesh Suite, a newly composed work based on selections from the incidental music. Written to celebrate the 2012 Cage centenary, its touchstone work is “Sonatas and Interludes.” The score, written for the entire Locrian cohort, will feature prepared piano, harp, and string quartet.
You can stream all of the tracks on the EP at Bandcamp and the bonus track “Duo” is available for free download. But, if you are so inclined to buy the EP (name your price), all of the proceeds will go towards funding the Gilgamesh Suite project. Hope you enjoy!
Everybody’s Pain is Magnificent
New Amsterdam Records
Grey McMurray and Caleb Burhans have been performing together as itsnotyouitsme since 2003. In the past five years, they have released three recordings. Their latest, Everybody’s Pain is Magnificent is a sprawling double album set of material. It celebrates the gradual developing soundscapes and lushly ambient sonics that are signatures the group’s sound. Unlike many ill-fated double albums, which run out of steam or seem padded, EPiM requires the extra time to develop its sweeping musical architectures and allow the listener to luxuriate, bathed in the music’s honeyed harmonies and finely spun textures. It’s been in heavy rotation in these parts this Fall. If you haven’t heard it, you are missing out on one of 2011′s most rewarding ambient treasures.
Below, the band shares a ‘wintry’-sounding video of a recent live performance.
We wrote about yMusic a little while back on the blog, but their CD is cause for celebration anytime, even after its formal release. This past week, the group played a “release party” show at Rockwood Music Hall. But if you missed it, fear not, they are also performing at the Beacon Theatre, sharing the bill with My Brightest Diamond.
Shara Worden has done more than share a bill with yMusic. She’s collaborated with them on both her recent CD All Things Will Unwind and appeared as guest vocalist on yMusic’s Beautiful Mechanical CD. The band is sharing “Skin and Bones,” a track featuring Worden, via their Bandcamp page.