Today I interviewed saxophonist Tim Berne in Brooklyn for a feature article that will appear in the next issue of Signal to Noise Magazine, the journal for improvised and experimental music. In a beleaguered market for print publications, particular for music magazines, I’m so pleased that StN editor and publisher Pete Gershon is working hard to keep the publication alive. The hope is that there will be two issues this year.
Snake Oil, Tim’s first CD on ECM as a leader (he’s supported David Torn and Michael Formanek on other ECM releases) is out this week (2/7/12). A quartet date, the personnel includes Berne playing alto saxophone, Oscar Noriega playing clarinet and bass clarinet, Matt Mitchell playing piano, and Ches Smith playing drums and a number of other percussion instruments.
An enthusiastic collaborator who has been in many more bands than a blog post can contain, Berne brings a “chamber jazz” aesthetic to this project, with gig-tested charts that have rigorous compositional structures but leave plenty of room for improvisation and on-the-spot inspiration. A gracious interviewee, Tim spoke about this project and several other current endeavors. Pete has given us a generous word count (how often do writers get that these days), and I’m really looking forward to covering Snakeoil and a host of other subjects in the article.
Below, you can see another incarnation of this group, the Los Totopos band, playing live via YouTube. We’ve also included dates for the tour Berne is undertaking in support of Snakeoil on both sides of the Atlantic.
Out on 2/13 in the UK (and everywhere else on 3/6/12), “Jerk Driver” is the lead off single from Gabriel Prokofiev’sCello Multitracks, a CD that is his latest genre-bending release for the Nonclassical imprint. It features cellist Peter Gregson, a noteworthy genre bender in his own right, playing all nine cello parts, creating a swath of overdubbed strings that is then subjected to remixes by Paul Miller (DJ Spooky), musician/producer MaJiKer, and composer Marcas Lancaster. Check out a sample embedded below.
As Jerry Bowles points out on the homepage, Gregson and Prokofiev will be presenting the piece at Joe’s Pub in New York on 2/10. More US events are listed below: some of them include Prokofiev’s concert music; others, his work as a DJ!
Brooklyn-based imprint Group Tightener recently released “Dark Matter,” the latest recording from chill wavers Expensive Looks. Yesterday Pitchfork didn’t much like the cut of Alec Feld’s jib, but I think they undersell this slice of moody, skittering electronica. Check out the appropriately shaky and diffusely ordered video for “Nothing More” below.
Xiu Xiu’s next CD, Always, is out 3/6 via Polyvinyl. The band is offering the record’s lead-off single, “Hi,” for free download on their Soundcloud page.
Last night, Sharon Van Etten played the song “Serpents” on Late Night with Jimmy Fallon (video below), debuting a new band featuring a guest appearance by Aaron Dessner (the National). The song is from Van Etten’s forthcoming 3rd LP, Tramp, which is slated for release on 2/7/12 via Jagjaguwar. It’s also been released as a single b/w non-album track “Mike McDermott.”
The performance featured a more amplified sound palette than her previous work, adding tinges of indie rock to Van Etten’s alt-folk style, with the songwriter inhabiting a bolder demeanor fronting the proceedings. Add the key ingredient of stardom’s formula – a memorable lead-off single like “Serpents” – andTramp appears poised to be Van Etten’s breakout release. Congratulations on a very successful network TV debut!
One of our favorite indie-folk songstresses, Sharon Van Etten, performs tonight (1/5/12) on Late Night with Jimmy Fallon. Sharon recently announced that her forthcoming record,Tramp, will be released on 2/7 viaJagjaguwar.
Hear and download “Serpents,” a track from the album, on the label’s website.
As you probably know by now, Robert Pollard has reformed Guided by Voices with much of the lineup from its nineties lo-fi heyday. They appeared last night on on David Letterman, performing “The Unsinkable Fats Domino,” the lead-off single from their new album Let’s Go Eat the Factory. And other than a little tumble by bassist Greg Demos partway through the song, they sounded just great. (Don’t worry, he’s okay!)
You can mail order the new LP now (as well as its digital equivalent) or wait ’til 1/16 to visit your local record-seller. But by all means, take the time to hear it: although some of them might be past the stage-diving portion of their careers, Pollard and Co. sound refreshed and inspired.
Bang on a Can is celebrating twenty-five years of music making in generous fashion. Between now and Jan. 25th, you can download their new album, Big Beautiful Dark and Scary, via bangonacan25.org.In exchange, they ask for an email address and a memory of a BoaC moment: the former is kept confidential, the latter is published in a scrapbook commemorating the album.
Think this is marketing against one’s own self-interests? Probably not. The iTunes version is for sale from 1/31, and features a bonus track of the ensemble performing Philip Glass’s Closing, with Glass, live. When the physical streets on 2/28, it will be a double disc of premiere recordings that will also feature films of the ensemble. So, instead of a “loss leader,” I tend to think of this release as downtown’s answer to Radiohead’s In Rainbows. In the meantime, Happy New Year, and happy downloading, all!
Bedroom Community is one of our favorite indie classical imprints. The Icelandic label has released CDs by Sam Amidon, Nico Muhly,Daniel Bjarnason, Ben Frost,
Valgeir Sigurðsson, and other artists. As they did last year, BC has released a Yule mix, filled with previously unreleased material. It’s free with any purchase from their online store.
To whet your appetite, we’ve included a piece by Valgeir, with stirring accompanying images, below.
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