Part I: “Crystalline” and “Solstice,” remixed by Current Value
One Little Indian
Björk’s 2011 recording, Biophilia, has, from its conception and release, been more than just another full length CD. The songwriter commissioned an app suite that allowed listeners to interact with the musical materials on the album and learn more about the scientific and ecological inspiration for much of the content of the lyrics. This has been followed by several educational initiatives in which Björk has been involved as a teacher and curator. Thus, the Biophilia project’s organic growth can be seen to extend alongside its creator’s omnivorous interests; and to reach far beyond the usual quarters of the record industry.
On the musical front, Björk has invited several prominent electronica artists to remix songs from Biophilia. The projected eight part series of remixes affords another layer of collaboration and interaction with this rich source material. The first part features Berlin-based artist Tim Eliot, who records under the moniker Current Value. He refashions two songs. The first, “Crystalline,” has one of the coolest and most readily apprehended apps in the series.
Crystalline App Tutorial on YouTube
Current Value has been a purveyor of techstep and the more dissonant wing of drum and bass for two decades. On “Crystalline,” his preferred techniques are deployed at full strength. After a delicate and ethereal beginning, he lays the hammer down, distressing the song’s textures and providing its center with a “voltage” and glitch tinged foreground and thrumming sepulchral bass tones. CV allows for this wall of song to prevail for much of the remix, making it eminently dance floor ready. We are allowed a brief respite again near the song’s conclusion; ambient synths blanket Björk’s voice before it is once again thrust into the propulsive maelstrom of the mix.
“Solstice” is a far more delicate source track. The Current Value remix processes the vocals, providing a sense of distance that accentuates the original’s delicacy. Beats skitter and, once again, “voltage” punctuation coruscates the proceedings until, at last, the boom is once again lowered: a mid tempo groove is established that is underpinned with multiple bass register lines in counterpoint. Perfect for a down tempo or lounge setting but still rife with syncopation, the “Solstice” rendition lives up to its remixer’s reputation for challenging dance hall aesthetics with dissonant and complex rhythms. Correspondingly, its adventurous spirit transforms the source material in fascinating ways.