Forma: Live on WBAR 4/1/12 (SoundCloud)




Last week, one of our favorite Brooklyn-based indie/electronica collectives, Forma, played on Barnard College Radio. They’ve been kind enough to share the set on their SoundCloud page (embed below).

Forma also has several shows coming up (dates below). The band’s self-titled debut has been released via Spectrum Spools (Editions Mego), and is for sale at Boomkat.






UPCOMING SHOWS:

Saturday, April 14, 2012 – 9pm:
Auditorium
Acme Studio
63 North 3rd Street
Brooklyn, NY

Wednesday, April 25, 2012 – time TBA:
with Gary War, Ancient Ocean & Plexxus Dor
Big Snow Buffalo Lodge
89 Varet Street
Brooklyn, NY

Saturday, April 28, 2012 – 2-10pm:
WBAR-B-Q
Barnard College radio
Free summer concert and barbecue
Lehman Lawn, Barnard College
117th and Broadway
New York, NY

Friday, May 11, 2012 – 8pm:
with SSPS, Keith Fullerton Whitman & Pete Swanson
285 Kent Ave
Brooklyn, NY

Maria Minerva: “Gloria” (Soundcloud)

This morning, NPR Music has an article on “Estonian Chillwave” artist Maria Minerva. Although they’re a little late to the party (Tallinn at Dawn came out last year), NPR’s spotlighting of album track “California Scheming” is a welcome playlist addition anytime.

Below is another excellent track by Minerva. Creeping Wave’s post of her track “Gloria” via Soundcloud.

Free DL: “Alleluia, Ascendit Deus” (Soundcloud Demo)

Casavant Organ at Grace Church Newark

Here’s a Soundcloud demo of my latest choral piece, a motet setting of “Alleluiai, Ascendit Deus” (Psalm 47:5). Instead of those beastly MIDI ooh’s and ah’s, I’ve used a sample of an organ flute stop as the sound palette. Please feel free to download, share, embed, etc.

The piece will be premiered as part of the 175th Anniversary celebration of Grace Church Newark, a service commemorating the Feast of the Ascension (May 19,2012 at noon).


RCRDLBL Shares SXSW: Rock Playlist (stream)


Emily Zemler at RCRDLBL has curated a SXSW Playlist featuring the “can’t miss” rock acts. Thanks for the tunes Emily!


So Percussion goes Maverick: gets Remixed, Celebrates Cage!




So Percussion recently released remixes of tracks from Amid the Noise, their recording of music by Jason Treuting. You can grab it for free via their Bandcamp site (embed below).

Treuting recently released sheet music for Amid the Noise, which can be purchased at Good Child Music.





This year, a great number of artists and ensembles are celebrating John Cage’s centenary – even Jessye Norman and Meredith Monk are getting in on the act as part of Michael Tilson Thomas’s revival of the American Mavericks series with the San Francisco Symphony. While it will be fascinating to see that some of these “out of the box” Cage performances will be happening, it’s also nice to hear that groups like So Percussion, who have a long track record performing Cage’s music, are celebrating the centenary in style. On 3/26, they are taking part in the American Mavericks series at Carnegie Hall (details here).

The concert will be the culmination of a tour by the group featuring Cage’s Third Construction as the centerpiece of Cage-themed program entitled We Are All Going in Different Directions.

There’s an equally imaginative recorded component So’s feting of the maestro of indeterminacy. On 3/27, Cantaloupe will release So Percussion’s “John Cage Bootleg Series.” The release includes a blank LP (the better with which to perform 4’33″!), a CD sampler, and a card with download codes that will enable listeners to obtain all of the group’s Cage bootlegs online. And the audio artifact lover in me delights in the handsome homemade feel of its handsome packaging. Top to bottom, Cage’s aesthetic is well manifested in So Percussion’s activities this Spring!


We Are All Going in Different Directions: So Percussion Celebrates Cage
Feb 28: Vanderbilt University, Nashville, Tennessee (Cage’s Third Construction)

March 2: The Royal Conservatory, University of Toronto, Toronto, Canada

March 6 + 7: The McCullough Theatre, University of Texas, Austin

March 10: Lawrence University in Appleton, Wisconsin (Cage’s Third Construction)

March 26: Zankel Hall, Carnegie Hall, NYC

Program

John Cage: Credo in US (1942)

Sō Percussion / Matmos: Needles (w/ Matmos) (2010)

John Cage: Imaginary Landscape #1 (1939)

John Cage: Quartet for Percussion, from She is Asleep (1943)

Cenk Ergün: Use (w/ Cenk Ergün & Beth Meyers) (2009)

Dan Deacon: “Bottles” from Ghostbuster Cook: The Origin of the Riddler (2011)

John Cage: 18’12”, a simultaneous performance of Cage works

-Inlets (Improvisation II) (1977)
-0’00″ (4’33″ No.2) (1962)
-Duet for Cymbal (1960)
-45’ for a speaker (1954)

Jason Trueting: 24 x 24 (w/ special guests) (2011)

John Cage: Third Construction (1941)


William Fitzsimmons shares free sampler via Noisetrade




In 2011, William Fitzsimmons released a sleeper, but one with staying power on Nettwerk. Gold in the Shadow is an incandescent recording that should have been on many more year-end lists as a noteworthy entry in the indie folk category.
Noisetrade is offering a free Fitzsimmons sampler (say that three times fast!). Embed is below.


Sepalcure: “Deep City Insects” (CD Preview: MP3)

Various Artists

Surreal Estate

Frite Nite

Sepalcure appears on Surreal Estate, a new Frite Nite electronica compilation. They contribute “Deep City Insects,” a track suffused with neo-psych deep bass that creates a hazily distressed ambience.

Grab a free download of the track over at Pitchfork.

Sepalcure’s S/T LP is out now via Hotflush.

Com Truise’s Galactic Melt (CD Review)

Com Truise
Galactic Melt
Ghostly

New Jersey’s own Seth Haley records electronica under the moniker Com Truise. With a name that tropes on an eighties icon, it’s not too surprising that his source material reference dystopian sci-fi soundtracks, early synth pop, and a splash of trippy dark wave for good measure. Now, I know that, at this point, some readers might be warily edging their mitts towards the mouse. After all, this referential material is potent stuff to overuse: weaponized in the hands of the wrong creator. Fear not.

Thankfully, Haley keeps the various reference points in balance on Galactic Melt, his latest full length for the Ghostly imprint. Unlike the film actor whose name just might be morphed into Haley’s audio incarnation, Galactic Melt doesn’t seem overexposed. Haley provides enough thoughtfully mediated distance between the source material and its current day handling that the music (happily) never lapses into nostalgia nor stoops to broad parody. Recommended.

Check out a stream of the new single “Ether Drift” on the File Under ? Tumblr page.

Plus, courtesy of our friends at RCRDLBL, grab a download of album track “Brokendate” below.