Friday: Annie Gosfield at Moving Sounds Festival

From tonight until Saturday, the Austrian Cultural Forum sponsored Moving Sounds Festival takes place. Thursday saw the Mivos Quartet perform new works by Carl Bettendorf and Reiko Füting while Christian Meyer and Franz Hackl gave a lecture recital entitled “Schoenberg and the notion of Avant-garde.”

On Friday, composer Annie Gosfield appears in a portrait concert at the Czech Center as part of Moving sounds. It includes the premiere of “Phantom Shakedown”. The piece for piano accompanied by a broken shortwave radio, a cement mixer, and tube noise. It’s one of the pieces on Gosfield’s latest CD, the just released Almost Truths and Open Deceptions (Tzadik). Dynamic and captivating, both the concert and  CD embrace amplified industrial music and distressed chamber works, in a concoction that balances sonic seduction with formidable avant gauntlets.

Annie Gosfield in concert
September 14 and 9 PM
Bohemian National Hall at the Czech Center
321 E. 73rd St.
New York, NY 10021

For more Moving Sounds events on Friday and Saturday, check out the festival’s website here.

Carter Tutti Void: Transverse (CD Review)

Carter Tutti Void
Transverse
Mute

Chris Carter & Cosey Fanni Tutti (Throbbing Gristle) and Nik Void (Factory Floor) created Transverse for the Short Circuit presents Mute festival at the Roundhouse, London in 2011. Rehearsing and preparing these tracks in the studio, they then performed them live (and live to tape) at the Roundhouse. The results are head turning and head-spinning, with many complexly hued textures that prove a revelatory exhibition of sonic timbres. Tutti’s singing is often treated as one instrument in the midst of many, rather than the conveyor of narrative or explicit sentiment. Void’s guitar work is also unconventional; he contributes bowed passages and grittily sinewed strata that combine with Carter’s musicking into a welter of drones.

Transverse explores the continuum between noise based improvisation and more rhythmically articulated and pitch-inflected music-making. Carter Tutti Void make avant-electronica at its most exultant and the results here are a jubilant clangor that ups the ante for acts – both analog and digital – to follow.