Monday: NYNME features Foss

Foss NYNME


Monday at the DiMenna Center, New York New Music Ensemble presents a program of works by Lukas Foss (1922-2009). Lukas (with whom I studied in the 90s when I was at BU) was a man of many musical talents with a near-omnivorous interest in a host of musical styles. Rather than try to present a comprehensive portrait of them all (a tall order in a single evening!), NYNME will focus on pieces from the mid-sixties through the mid-eighties, the period during which he was in his most experimental phase. In Echoi (1963), Foss made use of vast swaths of serial-inspired charts – there are pictures of them taking up whole walls of his studio. However, his performance directions add a measure of postmodern theatricality and there’s more than a bit of aleatory at work too. These seemingly disparate elements come together in a piece that is a masterful melange. Paradigm (1968), is more ebulliently chaotic still. Incorporating clangorous percussion and vociferous shouts alongside quasi-rock riffs from electric guitar, it channels more than a bit of the cultural and political revolutions afoot in the year of its composition.

Rendezvous - Tashi


Solo Observed (1982), began its life as a virtuosic solo piano piece, Solo, which found Foss experimenting with minimalism and maximalism at the same time. Solo Observed (1982, in versions for both orchestra and chamber ensemble), adds additional instruments, who observe, comment on, and sometimes even obstruct the pianist’s solo. The last work on the program, Tashi (1986), written for the star-studded chamber ensemble of the same name, is one of my favorite of Foss’s chamber works. Abundantly virtuosic and sumptuously harmonically varied, it is one of the best syntheses of the various styles and varied materials that fascinated Foss. Hunt down Rendezvous, the group’s 1989 recording on which it appears. Better yet, catch it live tonight.


NYNME

In One Week: Recital in Princeton

Christian Carey recital postcard

Emerged: A Recital of Compositions by Christian Carey

Christian Carey headshot

Saturday, September 28th at 2 PM

Prince of Peace Church,

Princeton Junction, NJ

Free Event

Performed by:

Righteous Girls

(Gina Izzo, flute; Erika Dohi, piano)

loadbang

(Jeffrey Gavett, baritone, Carlos Cordeiro, bass clarinet,

Andy Kozar, trumpet, Will Lang, trombone)

Peter Jarvis, drum set

Sara Noble, soprano

Megan Ihnen, mezzo soprano

Carl Patrick Bolleia, piano

Zheng Yuan, viola

Natalie Spehar, cello

Program

Prayer  (2011)    loadbang

3 Bagatelles (2006)    Righteous Girls

“He Wishes for the

Cloths of Heaven” (2009)   Megan Ihnen and Zheng Yuan

3 Flourishes (2008)            Gina Izzo

Solo for piano  (2013)            Erika Dohi   (World Premiere)

“Fuller Brush Music”    (2010)             Peter Jarvis

“Blue Symphony” (2013)   Sara Noble & Carl Patrick Bolleia

Two Miniatures  (2012)    Carl Patrick Bolleia

“Gloss on Guston”

“Fiery Sunset”

3 Kenyon Settings  (2009)    Megan Ihnen and Natalie Spehar

For Milton   (2011)     Righteous Girls