Archive for the “Austin” Category

(The Miró Quartet)

(Houston, TX) As a way of acknowledging the impact composers such as Terry Riley, Meredith Monk, Steve Reich, and Philip Glass made on him in his formative years, composer John Zorn has described himself as a “child of minimalism” and said that the influence of the minimalist school “is somewhere in almost everything I do.”

Cellist Joshua Gindele, a founding member of the Austin-based Miró Quartet, probably wouldn’t describe himself as a child or even a grandchild of minimalism, since Glass’s repertoire, as well as the repertoire of several of the composers we’ve come to associate with the “M” word, has since found a home among the standards that any self-respecting classical chamber ensemble plays. Along with performing traditional string quartet music, including works by Beethoven, Brahms, and Schubert, the Miró Quartet has commissioned and performed several new works by composers, including Brent Michael Davids, Chan Ka Nin, Leonardo Balada, and Gunter Schuller. On Tuesday, September 17, 7:30 PM at Rice University’s Shepherd School of Music, the Quartet performs a program of works by Schubert and Beethoven as well as Philip Glass’s String Quartet No. 5.

Although Glass is still finding ways to surprise listeners and reboot the very musical language he began articulating back in 1966 with  Read the rest of this entry »

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This weekend, the Austin New Music Co-op celebrates its 10th year of wild music with two nights of concerts. The programs will function partly as a retrospective on those years, reprising some of their most ambitious and unique projects, like last year’s massive US premiere of Cornelius Cardew’s “The Great Learning” (excerpted now with the Texas Choral Consort). Other group milestones on the program include:

Two of Morton Feldman‘s chamber works “de Kooning” and “The Viola in my Life”
Alvin Lucier‘s “Still and Moving Lines of Silence in Families of Hyperbolas” for vibraphone and sine waves, as well as an installation in the lobby for “unattended percussion” and sine waves.
Excerpts of Earle Brown‘s “Folio” performed by chamber ensemble
Arnold Dreyblatt‘s 2007 “Kinship Collapse” commissioned by NMC

The New Music Co-op is also a cohort of composers, and a selection of their pieces will also appear on the programs:

Brent Fariss‘ “I apologize Julius, for judging you” for amplified chamber ensemble.
Nick Hennies‘ “Second skin with lungs” for snare drums
Keith Manlove‘s “Becoming Machine II” for voice and electronics
Bill Meadows‘ “Loose Atoms” for wacom graphics tablet.
Travis Weller‘s “Toward and away from the point of balance” for violin, viola, cello and custom instrument “the owl”

Here’s to many happy returns.

WHERE/WHEN/HOW:
Friday March 23rd 8pm &
Saturday March 24th 7pm

At the MACC (600 River St, Austin TX)
Advance tickets available now at End of an Ear (http://endofanear.com)
$17 one night / $25 both nights
Student and advance tickets discounted to $15 one night / $20 both nights

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