Archive for the “Birthdays” Category

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Today would have been Lukas Foss’s ninetieth birthday, and I’m remembering him fondly. Linked here is a piece I wrote for NewMusicBox, commemorating him after his passing in 2009.
Thanks to Frank J. Oteri for digging it out of their online archives.

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I’ve been greatly enjoying Third Coast Percussion’s new CD/DVD release on Mode. John Cage: The Works for Percussion 2 captures some of Cage’s early music in which he assisted both in the development of the percussion ensemble but also formulated a musical aesthetic in which rhythm took primacy over pitch; “noise” became a welcome part of music’s sonic spectrum. Third Coast’s rendition of the Constructions (particularly the First Construction “in Metal”) and their beautifully filmed, lighthearted yet earnestly delivered version of Living Room Music are can’t miss contributions to the spate of Cage releases in his centennial year.

As luck would have it, we still haven’t worked out that “cloned reviewer” thing. On Thursday, August 9th, I’m heading up to the Berkshires to Tanglewood’s Festival of Contemporary Music. Down here in New York at MoMA, Third Coast are the featured performers for the museum’s “John Cage Day.” At 6:30, they will perform a set in the Sculpture Garden that features the New York premiere of Renga: Cage: 100, a group of short (5-7 seconds) pieces commissioned by Third Coast to celebrate the Cage centennial. Works by Augusta Read Thomas, David Smooke, Paul Lansky, and many others are fleetingly featured!


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Best wishes to Pauline Oliveros, who turned eighty today!

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This weekend, the Austin New Music Co-op celebrates its 10th year of wild music with two nights of concerts. The programs will function partly as a retrospective on those years, reprising some of their most ambitious and unique projects, like last year’s massive US premiere of Cornelius Cardew’s “The Great Learning” (excerpted now with the Texas Choral Consort). Other group milestones on the program include:

Two of Morton Feldman‘s chamber works “de Kooning” and “The Viola in my Life”
Alvin Lucier‘s “Still and Moving Lines of Silence in Families of Hyperbolas” for vibraphone and sine waves, as well as an installation in the lobby for “unattended percussion” and sine waves.
Excerpts of Earle Brown‘s “Folio” performed by chamber ensemble
Arnold Dreyblatt‘s 2007 “Kinship Collapse” commissioned by NMC

The New Music Co-op is also a cohort of composers, and a selection of their pieces will also appear on the programs:

Brent Fariss‘ “I apologize Julius, for judging you” for amplified chamber ensemble.
Nick Hennies‘ “Second skin with lungs” for snare drums
Keith Manlove‘s “Becoming Machine II” for voice and electronics
Bill Meadows‘ “Loose Atoms” for wacom graphics tablet.
Travis Weller‘s “Toward and away from the point of balance” for violin, viola, cello and custom instrument “the owl”

Here’s to many happy returns.

WHERE/WHEN/HOW:
Friday March 23rd 8pm &
Saturday March 24th 7pm

At the MACC (600 River St, Austin TX)
Advance tickets available now at End of an Ear (http://endofanear.com)
$17 one night / $25 both nights
Student and advance tickets discounted to $15 one night / $20 both nights

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The Avant Music Festival, a 5-night event being held at The Wild Project in NYC between Friday, Feb 10th and Saturday the 18th, promises to be a compelling series of shows of music in the vein of avant-garde. Along with music by living composers Randy Gibson (whom you are about to hear from), Eve Beglarian (Songs From The River and Elsewhere) and Jenny Olivia Johnson (After School Vespers), there is a performance of Schoenberg‘s ground-breaking work Pierrot Lunaire and a 2-part show on Saturday the 11th celebrating the 100th Birthday of John Cage at 4 PM and 8 PM respectively (This concert, by the way, features Vicky Chow performing the great Sonatas and Interludes on prepared piano). Randy, who is one of the curators of the event, spoke briefly about the festival as well as himself. Read the rest of this entry »

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Philip Glass is 75 today. The American Composers Orchestra gives the American premiere of his 9th Symphony at Carnegie Hall tonight.

My interview with Dennis Russell Davies, who is conducting the ACO concert, is up on Musical America’s website (subscribers only).

If you’re looking for a terrific way to celebrate PG’s birthday, Brooklyn Rider’s latest CD on Orange Mountain Music includes Glass’s first five string quartets. The earthiness with which they play the music may surprise you at first, but it provides a persuasive foil for some of the more motoric, “high buffed sheen” toned performances of minimalism that are out there.  In a 2011 video below, they give a performance of a more recent work, a suite of music from the film Bent.

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Elliott Carter (lower left corner) takes a bow after 92nd Street Y’s 103rd Birthday Tribute Concert to Mr. Carter on December 8, 2011, which ended with the world premiere of his A Sunbeam’s Architecture, conducted by Ryan McAdams and performed by tenor Nicholas Phan and chamber orchestra. (Photo: Cory Weaver)

Elliott Carter is 103. The only composer who lived longer: Leo Ornstein. But Ornstein stopped composing at 97: Carter is still going.

On Thursday evening, in a concert at the 92nd Street Y organized by cellist Fred Sherry, seven works written since Carter’s 100th birthday were given their world or US premieres. Astounding.

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Congratulations to:

Kyle Lynch
Ulysses Tone
Everette Minchew
Mark Wilson

Winners, please send me a quick email with your preferred mailing address.

Best,
Christian

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Courtesy of Boosey and Hawkes, Bridge Records, and Naxos Records, we have another special giveaway that will benefit those not able to attend Elliott Carter’s 103rd birthday party on Thursday in New York.

We’re giving away two signed CDs of “Music of Elliott Carter: volume 5” (Bridge 9128), and two of String Quartets Nos. 2, 3 and 4 (featuring the Pacifica Quartet; Naxos 8.559363), along with a signed 8×10 photo to accompany each.

Once again, I’ll be selecting the winners via a random drawing. If you’re interested, send me an email at: S21managingeditor@gmail.com. The contest will be open until noon on Thursday.

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