Archive for the “Concerts” Category

The group that helped to start the indie rock plus classical crossover genre, Clogs, doesn’t often make it out to Brooklyn. But, if Monday’s show at Galapagos is any indication, when they visit the borough, the group goes all out.

In addition to selections from Clogs’ previous studio recordings, the concert features “Shady Gully,” a new group of songs written by Padma Newsome. Those in attendance will also get a sneak preview of “2 Moon Shine,” his forthcoming opera project.

Also on the bill is Clogs member Thomas Kozumplik’s project Loop 2.4.3. I’ve been greatly enjoying their latest full length recording American Dreamland (out now via Music Starts from Silence). Kozumplik, joined by Lorne Watson, have created a percussion heavy and somewhat jaundice eyed view of the American dream, referencing everything from Edgar Allen Poe to Easy Rider to urban blight along the way. While the album’s subject matter could easily become a colossal bummer, Loop 2.4.3 creates supple beats  and several fetching tunes (the radio ready single “So Strong” noteworthy among them) that make even a dystopian post industrial landscape sound like far better a destination than its likely to be!

A small caveat for fans of the National: guitarist Bryce Dessner is not playing the Galapagos show. Ben Cassoria will take over his duties for the evening (no mean substitute!).

Clogs with Loop 2.4.3

Monday, July 16th

at Galapagos (16 Main St, Dumbo, Brooklyn · 718 222 8500)

Doors 7PM, Show 8PM

Tickets: $15 Advance, $20 At Door

Event link: http://galapagosartspace.com/event/clogs-loop-2-4-3-new-american-and-australian-music

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Le Poisson Rouge is a striking place.

This venue was the location of this past Sunday’s concert featuring Iktus Percussion (Cory Bracken, Chris Graham, Nicholas Woodbury, and Steve Sehman), pianist Taka Kigawa, and toy pianist Phyllis Chen. According to Iktus member Cory Bracken, one of the missions of the evening (focused entirely around composer John Cage) was to take some of his pieces that are almost exclusively performed in academic settings, and begin to inject them into the public concert repertoire. What the audience encountered, therefore, was a healthy mix of both often and not-so-often performed pieces by John Cage.

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Victoria Woodhull

In Fall 2012, composer/conductor Victoria Bond’s opera Mrs. President premieres at Anchorage Opera in Alaska. Its “out of town” tryout is on Monday July 9th … in New York at Symphony Space.

The opera’s subject is Victoria Woodhull, the first woman to run for president. Woodhull’s campaign in 1872 predates women’s suffrage. It was mired in controversy and scandal which, as we all know, makes it ideal material for an opera!

I was particularly pleased to learn that dramatic soprano Valerie Bernhardt is playing Woodhull. Val and I both sang at the Chatauqua Institute back in 1992. Her voice was already a mighty and beautiful instrument then and has only grown more impressive in the ensuing years.

Soprano Valerie Bernhardt

Need more inducement? Okay. Those in town seeking relief from the heat wave, remember: Symphony Space has lovely central AC and quite a nice bar to boot!

Mrs. President at Symphony Space

Monday, July 9th at 7:30 PM

Leonard Nimoy Thalia Theatre at Symphony Space

Broadway and 95th Street

Tickets: $20 (www.symphonyspace.org)

Opera website: www.mrspresidenttheopera.com

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On Tuesday, the New York Philharmonic celebrates French composer Henri Dutilleux, the recipient of the orchestra’s first Marie-Josée Kravis Prize for New Music.

Dutilleux has decided to use the prize money to commission three composers to write works for the Philharmonic in his honor. He’s already selected one – Peter Eotvos. Who would you recommend to Mr. Dutilleux as the other two commission recipients?


Alan Gilbert will conduct and Yo-Yo Ma is the featured guest soloist.

Program

Métaboles (1964)

Ainsi La Nuit for String Quartet (1976)

Cello Concerto — Tout un monde lointain (A whole distant world) (1970)

[youtube]http://www.youtube.com/watch?v=zhVe4V0cKwA[/youtube]

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Last year I decided to try my hand at liveblogging the Bang on a Can Marathon concert and had so much fun doing it, I figured I’d come back and do it again. Held in the World Financial Center, the marathon will begin at noon and last till midnight and is FREE, so y’all have plenty of time to get here, find a spot to sit, and enjoy the huge lineup of performers and composers the Marathon is bringing forth today (the day’s schedule can be found here).  If you attend, I’ll be sitting in the front row corner in the press section – feel free to come up and say howdy!

Since this puppy will probably be a bit lengthy when all is said and done, I’ll put the updates below the break.  Read the rest of this entry »

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We’re pleased to introduce cellist Maya Beiser’s performing the Michael Harrison composition “Just Ancient Loops,” with film by Bill Morrison, which will receive its premiere at the Bang on a Can 25th Anniversary Marathon this coming Sunday in NYC.


[vimeo]http://vimeo.com/43002580[/vimeo]


This is just one of many performances that will occur over the marathon’s 12 hours of free live music-making: check out the complete schedule online here.

Congrats to the can bangers – may you have many more seasons of marathoning!

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Musicians on the outskirts of Libbey Park performing Inuksuit (note the percussionist playing water gong in the upper left hand corner)

They say a picture is worth a 1000 words, so consider this photo album a 26,000 word review until I file my story. Inuksuit was one of the most extraordinary pieces of music I’ve heard since–well, John Luther Adams’ orchestra and tape work, Dark Waves. (On Sunday, we’ll hear JLA’s two-piano version of Dark Waves.)

Do read Paul Muller’s account of this concert and Thursday evening’s concert.

To give you some idea of what the performance was like, here are some crude videos I made on my not-designed-for-filming camera. The mike on the camera did a reasonable job of capturing the changes in sound as you moved from one spot to another, as I did throughout the performance.

If you’re reading this before or around 11 a.m. PST June 9, hop on over to the live stream from Ojai to watch/hear Marc Andre Hamelin, Christianne Stotijn, and Martin Frost perform Alban Berg, as well as an orchestral work by Eivind Buene. Watch it here.

[youtube]http://www.youtube.com/watch?v=y900SzB2UMM&feature=channel&list=UL[/youtube]

[youtube]http://www.youtube.com/watch?v=PgnWNqAoy9Q&feature=bf_next&list=ULy900SzB2UMM[/youtube]

[youtube]http://www.youtube.com/watch?v=Qz6YH7z33So&feature=bf_next&list=ULPgnWNqAoy9Q[/youtube]

 

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103 year old Elliott Carter has written a new work, Two Controversies and a Conversation, which will be premiered tonight at the Met Museum as part of the New York Philharmonic’s Contact! series. The concert, conducted by David Robertson, also includes a newly commissioned work by Michael Jarrell and Pierre Boulez’sexplosante-fixe…

Carter discusses the piece in the video below.

The Contact! program will be repeated on Saturday at Symphony Space.

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This month, Gyan Riley is curating for New York venue the Stone. One of the San Francisco residents that he’s invited to visit the Big Apple for a gig is avant-cabaret artist Amy X. Neuburg, who performs there tonight (details below).

Neuburg eschews the usual instrumentation of a cabaret performer, instead using an electronic drumset. But the music isn’t isolated to percussive utterances; rather the synth drums serve as a control surface with which she can trigger live recording and overdubs. Thus, a drum hit might ‘sound’ like drums, or it might just as easily trigger backing vocals or synth patches.

Using this setup, Neuburg often creates multiple loops, each with its own place in the sound field. Her set at the Stone (her first appearance there) will introduce some new works, but also revisits her back catalog, updating several pieces to accommodate this “spatialized” aesthetic.

Amy X. Neuburg at the Stone

May 30 at 8 PM

The Stone,

Corner of Avenue C and Second Avenue

NY, NY

Tickets: $10 at the door

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Lou Bunk bows cardboard this weekend!

To many, Memorial Day weekend means the kickoff of the summer season: getaways, barbecues, traffic, and more traffic …

But the New York new music scene doesn’t seem to be on holiday from its Spring season yet. indeed, we’ll be talking a number of events in coming weeks, extending well into June.

Performers and, one hopes, audiences, aren’t even taking the weekend off. Tonight is an all Milton Babbitt concert at CUNY Grad Center. It features several pieces done by the performers who’ve made them part of their core repertoires. But any chance to hear Judith Bettina sing Philomel again or William Anderson and Oren Fader play Soli e Duettini is most welcome. Less often heard but featured here is the early “Composition for Four Instruments” and the piano duo Envoi from 1990. Though it’s bittersweet to go to hear Babbitt’s music without his convivial presence and sepulchral commentary, it is good to see that the Composers Alliance and CUNY are making every effort to keep his music alive.

Milton Babbitt Retrospective

Friday, May 25, 2012, 7:30pm at CUNY Graduate Center

Elebash Recital Hall (365 Fifth Ave, New York) Free Admission

Program

None but the Lonely Flute (1991) Patricia Spencer, flute

Envoi (1990) Steven Beck and Zachary Bernstein, piano

Soli e Duettini (1989) Oren Fader, guitar, William Anderson, guitar

Melismata (1982) Karen Rostron, violin

Philomel (1964) Judith Bettina, soprano

Composition for Four Instruments (1948) Patricia Spencer, flute; Charles Neidich, clarinet; Joshua Modney, violin; Christopher Gross, cello

My Ends are My Beginnings (1978)Charles Neidich, clarinet

More Melismata (2006) Christopher Gross, Cello

Swan Song no. 1 (2003) Barry Cooper, flute; Robert Ingliss, oboe; William Anderson, mandolin
Oren Fader, guitar; Calvin Wiersma, violin; Susannah Chapman, cello; James Baker, conductor

Music Programs The Graduate Center, CUNY
365 Fifth Avenue • New York, New York 10016-4309
(212) 817-8590 • music@gc.cuny.edu

___

On Saturday, Collide-O-Scope Music is presenting a varied program, including a Babbitt work as well, but mostly featuring music by emerging and mid-career composers. As is often the case, CoSM programs both works for conventional instrumentation and for sound objects that are decidedly unconventional. Here, the latter is represented by Lou Bunk’s “scratch-o-lin,” a cardboard contraption that he fervently attacks with a violin bow!

Collide-O-Scope Music presents “The Medium is the Music”
Alexandra GardnerNew Skin (2002)
James RomigWalls Like These (2012)
Lou BunkShreds of New Walls (2012) *
Christopher BaileyFantasy-Passacaglia After Hall and Oates II (2012) *
Lou Bunk: Study for Bowed Cardboard (2010)
Christopher BaileyOutlying Afterward (2012) *
Michael Klingbeil: Vers La Courbe (2012) *
Milton BabbittPreludes, Interludes, and Postlude (1991)

* World Premieres

Saturday, May 26 at 8:00 PM
The Cell Theater
338 West 23rd St., New York City
Tickets: $15/$10 (students)
For tickets and more info:
http://www.thecelltheatre.org/

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