Archive for the “Contests” Category
Posted by Jonathan Lakeland in Classical Music, Composers Now, Contemporary Classical, Contests, Media, Music Events, New York, Online, Opportunities, Radio, Resources, The Business, Twentieth Century Composer, Websites, Women composers, tags: classical, contemporary, living composers, new music, new york city, online, Q2, radio, streaming, WNYC, WQXR
Picture courtesy of Q2 Music
Sometimes, classical music gets a bad rap. To be perfectly honest, there is a chunk of the population that finds it to be synonymous with any number of derogatory terms: boring, annoying, or pompous. Some classical music lovers and advocates will counter this popular belief with arguments that only go to further the opinion of the other side: “Some people want to listen to mindless music”, “Some people simply don’t have patience”, etc. These ridiculous arguments only go to further the stereotype that classical music lovers are all pompous windbags who believe themselves to be uniquely educated and informed.
How, then, do we get people to forget their misconception, and believe that EVERYONE can enjoy or even love classical music, regardless of education, socioeconomic standing, or profession?
It all comes down to how classical music is presented; and now, for a limited time, you could join one organization that does it right.
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Next up in Hilary Hahn‘s chats with the composers writing for her 27 Pieces: the Hilary Hahn Encores!, it’s New Zealand composer Gillian Whitehead.
And composers, don’t forget that the 27th encore slot is still open until March 15th, and it could be you! So tusches off seats, fire up your Finale & Adobe, but get cracking!
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On Monday, January 16 at Carnegie Hall, Distinguished Concerts International New York brings together over three hundred musicians to give the world premiere of The Peacemakers by Karl Jenkins. The composer will conduct this work for choir, orchestra, and instrumental soloists. It is the first world premiere of one of his large-scale works to take place in New York.
TICKETS: www.carnegiehall.org or 212-247-7800 or in person at the Carnegie Hall Box Office.
The recording of The Peacemakers just came out this past Tuesday on EMI Classics. It features the strings of the London Symphony Orchestra and three choirs: the City of Birmingham Youth Choir, Rundfunkchor Berlin, and the 1000-strong Really Big Chorus.
EMI is offering a free download of a track from the album here.
The label’s also been kind enough to offer us several copies of the limited edition version of The Peacemakers for a CD giveaway. Interested parties should email me here.
I’ll use a Cageian (random) method to determine the “winners.” The contest is open until Monday, 1/16 at midnight.
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Winners, please send me a quick email with your preferred mailing address.
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Courtesy of Boosey and Hawkes, Bridge Records, and Naxos Records, we have another special giveaway that will benefit those not able to attend Elliott Carter’s 103rd birthday party on Thursday in New York.
We’re giving away two signed CDs of “Music of Elliott Carter: volume 5” (Bridge 9128), and two of String Quartets Nos. 2, 3 and 4 (featuring the Pacifica Quartet; Naxos 8.559363), along with a signed 8×10 photo to accompany each.
Once again, I’ll be selecting the winners via a random drawing. If you’re interested, send me an email at: S21managingeditor@gmail.com. The contest will be open until noon on Thursday.
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We’re giving entrants another day to put in for the Carter ticket giveaway, extending the deadline until tomorrow (Monday).
All we need is your name and a brief (a sentence or two) statement about Carter.
Check back Monday evening for our next giveaway: memorabilia signed by Elliott Carter!
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Fred, I’m thinking of setting E.E. Cummings for tenor and chamber orchestra… That’s a wonderful idea, it goes along with your other settings of important American poets; which poems will you use? Perhaps some of the early poems having to do with WWI.
Can you play these multi-stops: C, G, C#, G#, E and C, G, E#, D#, B, F#? I’ll try them out when I get home. [Later, on the telephone] Yes, they work. Good, I’m putting them in my new Double Trio.
I’m working on a String Trio, do you think the viola can hold a high F-sharp for almost two bars? What is the tempo? Oh…it is half note = 60. (Knowing it will work, I answer) Let me try it out. Yes, the viola will be able to hold it. Good, that’s the end of the piece!
Then the idea of the 103rd birthday concert for Elliott Carter came about. Last year, for his 102nd birthday, Charlie Neidich and the Camerata Notturna did a beautiful concert which included the Clarinet Concerto, Wind Rose and the slow movement of Carter’s Symphony No. 1. This year, I thought, let’s do all of Carter’s new music, most of which has not been heard in New York or anywhere. This concert is fated to succeed because of the music, and the people: Carol Archer, Nicholas Phan, Virgil Blackwell, Rolf Schulte, Gordon Gottlieb, and many more.
Elliott will be hearing five of his pieces for the first time. THIS IS GOING TO BE AN INCREDIBLE PARTY!
Elliott Carter’s 103rd Birthday Concert will be at the 92nd Street Y (Uptown; Kaufman Concert Hall) on December 8 at 8 PM (three days early, but we’ll give ’em that!)
Ticket information can be found here.
Better yet, courtesy of 92nd Street Y and Boosey & Hawkes, Sequenza 21 is offering two pairs of tickets to the concert.
Here’s how to enter: send a short missive about Elliott Carter – your favorite piece, something about his music that interests you, etc. – to my email address: email@example.com
I will use a Cageian, rather than Carterian, method of selecting the winners (hint: put names in hat: draw out two).
Contest is open until Sunday at noon. I will announce the winners on Monday morning. Those entries that are particularly eloquent and non-trollish will be published on the site.
Those Carterians outside of New York or unable to make the show – take heart. We will also be having a second giveaway – signed Carter memorabilia! Check back here later this week for details.
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Hurricane evacuee Humphrey
Hurricane Irene approaches. We’ve got two extra guests this weekend: my Mom and Humphrey, her labrador retriever. They were evacuated from Long Island and are spending the weekend with us.
Waiting out a storm can be angst-producing and, eventually, boredom provoking – particularly without music.
So, File Under ? readers (the comments section is open and so are email, Twitter, Facebook, and G+), send us your “hurricane” listening lists – either in old-fashioned typewritten format or via the usual suspects (Spotify, Last.fm, etc.). The guidelines are wide open. It can be a themed list or simply musical “comfort food.”
Stay safe everyone!
“Winner” – my entirely subjective favorite gets a prize. Hey, why should Irene have all the fun?
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Update (July 5, 2011): The Villiers Quartet has revised its guidelines for its new music competition. The most notable change is the age restriction, which has been raised to 35. Good luck!
London’s Villiers Quartet is seeking new works by composers under 35. If you’re an emerging composer looking for an international performance opportunity, check out the guidelines to have your work premiered next season by this exciting, young ensemble. I’ll let the ensemble’s first violinist, James Dickenson, explain: [youtube]http://www.youtube.com/watch?v=gJ9bzsWGJEQ[/youtube]
And here are their guidelines, which can also be found at the Villiers Quartet’s web site.
The 2012 Villiers Quartet New Works Competition
The Villiers Quartet seeks new compositions from young composers as part of its 2011-2012 concert season at St Andrew’s Church, Fulham Fields, London, UK. The concert season, which already consists of string quartets by Haydn, Mendelssohn, Delius, and Beethoven, will feature a competition open to an international field of new and upcoming composers.
Three finalists will be chosen via online voting and have their works performed in London by the Villiers Quartet on April 29th, 2012. The winner will be determined at the concert by audience vote. The winner will receive a prize of £500 and a studio recording of their piece, plus inclusion of their work into the Villiers Quartet repertoire for upcoming seasons.
This competition is open to composers aged 35 and under as of January 5th, 2012.
All composition entries must be original and unpublished works written for string quartet instrumentation: 2 violins, 1 viola, 1 cello.
Compositions must be no longer than 20 minutes in length. You may write whatever form you want, and there is no limit to the number of movements. For instance, you might be inspired to write a one movement rhapsodic interlude. You might write a 20 movement work where each movement lasts one minute. Or you might follow the classical four-movement form as laid out by Haydn. The floor is wide open.
Deadline for submissions is January 5th, 2012. Submissions can be sent electronically, or by post. Applications sent by post must be postmarked no later than January 5th, 2012. Applications received or postmarked after this date may not be considered.
We encourage you to be creative and experimental. Most of all, we want to hear your music. For more information on competition guidelines, visit www.villiersquartet.com/2012competition.
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The 2011 Celebrate Asia competition from the Seattle Symphony is now open!
Seattle Symphony’s Celebrate Asia announces the second Seattle Symphony Celebrate Asia Composition Competition. The Competition seeks to promote and recognize young composers who are interested in Asian culture, music and traditions. The concept originated in 2008, when local Asian leaders wanted to find a way to strengthen bonds with the broader community through a cultural celebration. Celebrate Asia is part of the Seattle Symphony’s Around the World series.
The Seattle Symphony, presenting its 109th season in 2011–2012, will come under the artistic leadership of Music Director Designate Ludovic Morlot in September 2011, following the close of Gerard Schwarz’s Farewell Season as Music Director. The Orchestra performs in the acoustically superb Benaroya Hall in downtown Seattle. The Symphony is internationally recognized for its adventurous programming of contemporary works, its devotion to the classics, and its extensive recording history. From September through July, the Symphony is heard live by more than 315,000 people.
•Award and Performance
The winning composer will receive a $1,000 cash award and an opportunity to visit Seattle for the world premiere. The winning score will be performed by Seattle Symphony and conductor Mei Ann Chen on February 24, 2012, in Benaroya Hall at the annual Celebrate Asia! concert.
All composers born after January 1, 1966, are eligible.
Ludovic Morlot, Seattle Symphony Music Director
Simon Woods, Seattle Symphony Executive Director
Elena Dubinets, Seattle Symphony Vice President of Artistic Planning
Members of the Seattle Symphony Artistic Advisory Committee
1.Works must have Asian influences (for example: Asian folk melodies, Asian stories and legends, Asian traditional instruments).
2.Works must be new, original and accessible.
3.Works should be 3 to 6 minutes in duration.
4.Works should be for orchestra or chamber orchestra with instrumentation no larger than 3333 – 4331 – T+3 – hp – kybd – str. Woodwind doublings are allowed.
5.The submitted work must have had no prior performances.
6.Interested composers should submit:
– A legible, bound, full score
– A recording of the piece on a CD (midi-format is OK)
– A clear description of the composition’s Asian influence(s)
– A biography, with current address, e-mail address, and phone number
– If selected, professionally prepared parts will be required 60 days before the concert.
•Entry Fee and Deadline
There is no entry fee. All entries must arrive no later than Friday, October 21, 2011. Seattle Symphony is not responsible for lost or damaged material. The winning composition will be announced before Friday, November 18, 2011.
•Send submission to:
Seattle Symphony Celebrate Asia Composer Competition
ATTN: Amy Stagno
P.O. Box 21906
Seattle, WA 98111-3669
Questions and inquiries may be emailed to: firstname.lastname@example.org
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