EARNEST: Winter Dances; The Blue Estuaries; Trois Morceaux. Judith Kellock, soprano; Mariam Adam, clarinet; Peter Sanders, cello; Evelyn Ulex, piano; Hrabba Atladottir, violin; Ensemble X/Sebastian Gottschalk. Koch 7555. 53 minutes.
John David Earnest has devoted most of his long compositional career to music for orchestra, song cycles, and choral music. The current disc contains about half of his chamber music. The music here is accessible, but not without some harmonic and (especially) rhythmic bite.
All of this music is exceptionally well-written. The instruments sound great””in fact, the music is probably easier to play than it sounds, and performers love that. The forms are simple, direct, and clearly-articulated. In fact, Earnest’s skill as a composer raises the craft itself to an expressive element of the music. It’s a case where the technique so identifies with the content that quality of the work translates into expression. Earnest’s harmony is tonal, but not diatonic, and his rhythmic style is flexibly pulse-y, with shifting accents and changing meters.
The performances are very good, with the players responding to their parts with style and skill. Soprano Judith Kellock delivers the vocal part in The Blue Estuaries in a rich, full soprano voice and with solid diction and a good sense of phrase. Koch’s production is very clean, with good balance.