wheeler.gifWHEELER: The Construction of Boston. William Hite, Charles Blandy, tenor; Krista River, mezzo-soprano; Marcus DeLoach, Christí²pheren Nomura, baritone; Christine Swistro, Sharla Nafziger, soprano; Elizabeth Anker, contralto; Chorus & Orchestra of The Boston Cecilia/ Donald Teeters. Naxos 8.669018. 60 minutes.

Scott Wheeler’s The Construction of Boston (libretto by Kenneth Koch; 1989, r. 2002) is a delightful one-act allegory on, well, the building of the city of Boston. As is the case with many recent American operas, it is stylistically eclectic, but there is no feeling of pastiche, and the composer’s musical personality is evident throughout.

The music is accessible, edgily tonal most of the time, with a feeling of Bernstein-style Broadway in some of the choruses. The vocal writing is idiomatic and the words come through very clearly. Wheeler’s rhythmic style is beat-oriented but also free and striking. His orchestration is inventive””bright and arresting.

The vocal performances are solid to excellent, with standout performances by tenor William Hite (as “The Opera” and Jean Tinguely), soprano Sharla Nafziger (as Niki de St Phalle), and baritone Christí²pheren Nomura (as Robert Rauschenberg; I told you it was an allegory). The chorus and orchestra of The Boston Cecilia, led by Donald Teeters, give very good accountings of themselves. The sound in this concert performance is very good. Everything is audible and the balance is as good as you would find in a studio recording.

All in all, a very pleasant way to spend an hour.

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