McCARTNEY: Ecce Cor Meum. Kate Royal, soprano. Academy of St. Martin-in-the-Fields/Gavin Greenaway. EMI DVD 5099950073399. 67 minutes.
It probably counts as a truism to say that Paul McCartney is one of the finest melodists popular music has produced. Popular music is often largely about melody, with the other parameters of the art usually playing a secondary rí´le.
The melodies in McCartney’s hour-long Ecce Cor Meum (“Behold My Heart”, for soprano solo, chorus, and orchestra; text by the composer) are not nearly as memorable as those in his best songs. It seems as though he had a preconceived notion about what “classical” melodies should sound like and how they should be shaped. He wrote accordingly, and the result is somewhat forced and artificial.
As to the other niceties of “classical” composition, McCartney falls back on the standard tools of the inexperienced composer””pedals, sequences, and ostinatos. In this way his melodies are given the means to play out into a lengthy composition. The harmony, rhythm, and orchestration of the piece are pretty standard late 20th-century neo-tonal, with a hint of English pastoralism.
At the beginning of the film, before the performance begins, the composer enters the Royal Albert Hall and is greeted like, well, a rock star. (I wonder if he gets as tired of that happening at his concerts as I do at mine.)
Soprano Kate Royal has a fine, full voice and a winning stage presence. The Academy of St. Martin-in-the-Fields Orchestra, led by Gavin Greenaway, does its usual bang up job, as do the massed choruses involved. A brief documentary on the creation of Ecce Cor Meum, in which the composer discusses his limitations as a composer (as opposed to a songwriter), dramatically illustrates just how well one can get by with a little help from their friends.