Kathleen Supové’s latest recording The Exploding Piano, is a collection of works by Randall Woolf, Missy Mazzoli, Anna Clyne, Michael Gatonska, and Dan Becker. While, thankfully, nothing blows up, the piano is subjected to a wide range of preparations, alterations, and dramatic exertions.
Supové is a dynamic performer, willing to try new and different things. Some of the pieces, like Mazzoli’s “Isabelle Eberhardt Dreams of Pianos” and Becker’s “Revolution,” mix samplers and synths into the pianistic equation. Woolf’s “Sutra Sutra,” combines jazzy inflections and spoken word components, skirting the edges of performance art and playing to the pianist’s charismatic onstage strengths. Clyne’s “On Track” instead focuses on inside the piano plucks and punctilious semitone clusters. For Gatonska’s “A Shaking of the Pumpkin,” the performer prepares the piano by placing a bass drum under the lid.
While this is a piano recital where the piano doesn’t necessarily often sound like a piano, The Exploding Piano is an intriguing display of fascinating sound worlds. Supové deserves kudos for fearlessly exploring the depths of these disparate works.