Irrespective of genre, GVSU NME’s latest rendition of Terry Riley’s In C is one of the best live albums released in 2010. Recorded at a November, 2009 gig at Le Poisson Rouge, the group presents a 65-minute rendition of the piece: by no means as long as many performances, but far more luxurious than their taut rendition on the In C Remixed CD (Innova, 2009).
Unlike some postmodern interpretators, such as Acid Mother’s Temple, who do violence to the form of In C in an indulgent misunderstanding of the open spirit of its performance instructions, GVSU NME have provided a thoughtful take on Riley’s intentions. It’s a reasonably faithful interpretation of the score’s flexible notation garbed in innovative instrumentation choices.
Though GVSU NME is, at its core, a 16-person group of contemporary classical musicians, there’s more than a bit of genre-bending going on here. The concert starts off with a skronk-filled free jazz introduction; perhaps a bit of an overstep, but a fascinating one! The performance also features an electronica component: the beats and effects of laptop performer Dennis DeSantis. Yet all of these disparate elements cohere into a rendition of In C that’s both impeccably prepared and frequently thrilling. It suggests that Riley’s mutable minimalist declaration still has the capacity to sound surprisingly fresh and eminently vital.
MP3: In C Live (excerpt)