Corner Loading (Volume 1)
- Active Denial
- (Running Out of Time for) Good News
- My Tide
- Made Up, Oh Lord
- Busy Humanist
- Be Real Bad
- Trouble Making
- Lonesome Shoeshine
- Great Adventure Jail
- Hide in There
- It’s Hard to be Nobody
- Ad Man
The second half of ExitMusic’s 10th anniversary celebration, Corner Loading (Volume 1), will be released on December 7 alongside the album Recess (my review of Recess can be read here). Where Recess lives and breathes with Rouse’s density and complexity, Corner Loading is a lean, mean, stripped-down exploration of his musical core. The musical language, on the surface, sounds like a fairly straight-ahead country/blues singer/songwriter but as soon as you listen past that surface you are rewarded with an intimate portrayal of what makes Rouse’s music really tick.
Each song features Rouse as a solo performer, usually voice and guitar, so at first listening Corner Loading sounds like something you can comfortably put on in your local coffee shop. The only problem with that scenario is that this isn’t passive music. Rouse’s language has a way of focusing your attention the same way that a magician makes you wonder how it is all being done. The layers which Rouse usually uses are right there in Corner Loading but in a much more transparent package. It is easier to hear deep into the musical structures of this recording and that exposed nature makes the disc even more hypnotic to me. You hear exactly what he is doing and it still fascinates and draws you closer into the music. If this was on in a coffee shop I don’t think I could do much but sit and listen in slack-jawed fascination.
An example of this elegant simplicity hits you right up front with the track “Active Denial.” Rouse sings the line “Maybe I want to do it again” in melodic and rhythmic unison with the guitar. He then repeats the lick on the guitar but inserts a single beat rest in the voice between phrases shoving the voice out of phase with the guitar ostinato. Even better, instead of keeping this phase process as a gimmick for the song, Rouse finds important times to stretch out his melodic line by a beat so he can come back in phase with the guitar for the chorus.
This phasing procedure gets used throughout the disc but in enough deft variations that no track sounds stale. Regular and irregular phrases are spun out in a natural manner. Accompaniment patterns change and break up any possibile monotony. A few tracks, like “My Tide” and “Great Adventure Jail” are accompanied by simple clapping (which isn’t nearly as simple as it sounds). Great care has also been taken towards the pacing of the CD. The more repetitive songs “Be Real Bad” and “Trouble Making” are followed up by the quick-fire verses of “Lonesome Shoeshine.” Songs are very short and focused. They create their world, do it very well, and then get out. Tension is also built throughout the disc, too. The final track “Ad Man” has the thickest and most frenetic guitar texture and the most driving harmonica interjections which makes this song sound like a culmination of all that came before it.
Rouse’s husky vocals are expressive and perfectly matched for this sound world. There is soul and emotion in each track. Rouse’s gift in lyrics is also spread all over the songs. Unlike Recess, Corner Loading doesn’t include the lyrics in the physical disc (they are available on his website) but this never troubled me. The intimacy of the disc makes the lyrics and their poetic meanings rather clear. His ruminations on the current societal conditions are just as targeted, poetic, and salient as you would expect.
The whole disc has an immediate appeal that I find runs throughout all of Rouse’s music and there is not an ounce of pretention on the record. This is a disc I spin a lot. Beyond the deep post-minimalist structure that is driving each song, the tunes are just damned catchy.