Glass Heart

Orange Mountain Music CD 7006

Maria Bachmann, violin

Jon Klibonoff, piano

When it comes to minimalism, I must admit I’ve always been more of a Steve Reich guy. But I was quite taken with Philip Glass’s Sonata No. 1 for Violin and Piano (2008), the work at the heart of a new disc on the composer’s Orange Mountain Music label. This world premiere recording by violinist Maria Bachmann and pianist Jon Klibonoff highlights a Romantic urgency I hadn’t heard in Glass’s music before. Indeed, Glass’s program note cites a childhood memory of listening to recordings of the Brahms, Fauré and Franck violin sonatas with his father, at the time a record-store owner in Baltimore.

The fundamental Romanticism of Glass’s piece is underscored by Bachmann and Klibonoff’s programming, which places his recent duo alongside nineteenth-century staples: the Bach/Gounod Ave Maria, and Schubert’s magisterial Sonata in A Major for Violin and Piano, Op. 162 (in the liner notes, Bachmann notes a “similar pathos” shared by the Schubert and Glass sonatas). The disc is rounded out by Ravel’s intriguing Sonata Opus Posthume, a work written in 1897 but left unpublished at the composer’s request, only to be discovered and published in 1975.

I first encountered Bachmann and Klibonoff on their eloquent recording of Paul Moravec’s Pulitzer Prize-winning Tempest Fantasy, a work composed for their ensemble, Trio Solisti, and clarinetist David Krakauer. The warmth and assurance of their playing is such that I would happily listen to them play most anything, canonical or contemporary, and their commitment to new American music is a boon to composers and audiences alike.

2 Responses to “Glass Heart”
  1. Hank says:

    Thanks for the Post on Maria Bachmann. On your next review, could you include a link so the reader might hear a selection or two from the recording?

  2. Judah Adashi says:

    @Hank: done! (Linked to YouTube)

  3.  
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