Soundings for a New Piano
R. Andrew Lee, piano
Irritable Hedgehog Music
Ann Southam is one of those composers I wish I would have been introduced to sooner. Soundings was the first piece of hers that I have heard and the work brings forth such a delicious dichotomy that I have scoured available sources to find more of her music and hear how it is, and simultaneously is not, an example of commonly mentioned techniques. The two words that I have heard tossed about regarding Southam’s music are “serialism” and “postminimalism.” Soundings is easily both and yet also neither. Is there a twelve-tone process at work? In a sense. The austere opening arpeggio adds new tones as a means of development and Southam admits to working with the same row for several decades. Is this post-minimal? Why not? There is a rhythmic stubbornness but it seems to come from a sense of obsession with the sonority rather than some rigorous process. This is the same opening chord (and articulation) found in Southam’s Simple Lines of Enquiry, so obsession seems to be the right word. In contrast to Simple Lines, Soundings has a more urgent aura about it and a brighter, more vivacious piano sound in the recording.
Through the twelve short movements and one central interlude, this chord is played out in mostly monophonic and spacious gestures. The serial music you are taught to hate in college doesn’t ruminate, it lectures. This music, serial in the looses sense, is languid and floating. Deceptively simple arpeggios dissipate from the beginning to the interlude, where time seems to stop completely. Post interlude, thick and chunky chords appear and provide the firmament for the final five movements. Those meaty chords try to dissolve but rebuild themselves in the 11th movement and, once they have been worked out of the composer’s system, the whole composition unwinds and vanishes.
This EP release (Soundings is around 23 minutes) is another excellent vehicle for R. Andrew Lee to showcase a subtle virtuosity and sensitive musical touch. It is also one of the best sounding pianos I’ve heard on disc in quite some time. In the interest of full disclosure, I should say that I am close friends with David and Michelle McIntire, the Executive Producers of this album and masterminds of the Irritable Hedgehog label. You may subsequently dismiss this review as cronyism but I am positive those thoughts will evaporate once you’ve heard this disc or their An Hour for Piano recording (both available for free streaming on their website).