Songs of the Living and the Lived In
You can download each album for free right here.
Lawrence English says this about these two collections of field recordings:
“Songs Of The Living is a collection of field recordings I have had the chance to make over the past decade and a half. Many of these recordings hold very strong memories for me; spending days with Antarctic Fur Seals, hearing monkey’s calling whilst swaying on an old 50 metre high wooden tower in the Amazon or being surrounded by literally thousands of microbats, flying out from their diurnal home. I feel these recordings hold something profound and hint at the wonder that lies beyond our usual sonic radar.”
The variety of sounds that Lawrence English has collected, and the high quality at which he has collected them, is rather astonishing. Split into two collections, Songs of the Living is a series of sound recordings/soundscape compositions that feature the sounds of beings in nature. A host of monkeys, bats, insects, frogs, and seals are on a compelling sonic display and the disc never feels dull, repetitive, or simply ambient. Many times I was surprised that such sounds were from natural phenomenon; the visceral impact of some of these noises drives much deeper than what most composers do with electronic resources. The “Unidentified Cicada,” and the “Rhinocerous Beetle” for example, are ear stunners of the insect world. The “Antarctic Fur Seals” are expressive and rhythmic: they appear to be nature’s beatboxers…
And the Lived In takes the same concept as the first album but applies it to non-living beings. How does one capture the sound of a place without recording its inhabitants? English finds motors, gates, shorelines, toy stores, and more that provide rich and lush aural landscapes. The rich tones of “Cemetery Gate” and “Blizzard Battering Walls” are deep and fantastic. The “VLF During Solar Storm” is equally captivating with its high and thin sounds. I don’t know if Lawrence English put these sounds together for others to use in their compositions, to offer up as soundscape compositions alongside works of Annea Lockwood, or to show off the world that his ears have heard. In the end, none of that matters. These are two wonderful sets of recordings to hear which will reinvigorate your reception of the simple beauty all around us. Did I mention they are free?