Slap the Moon Records
Simon Thacker, guitar; Japjit Kaur, voice; Jacqueline Shave, violin; Sarvar Sabri, tabla
- Thacker – Dhumaketu
- Osborne – The Five Elements
- Riley – SwarAmant
- Korde – Anusvara – 6th Prism
- Thacker – Svaranjali
- Thacker – Multani
- Thacker – Three Punjabi folksongs
- Thacker – Rakshasa
The rich diversity of musical influences available in this world can yield truly inspired works which weave multiple threads into a single aural “rope” or works which use cursory cultural details out of the desire to sound “exotic.” Happily, Rakshasa is a work in the first category, bringing together musical elements into an attractive musical package.
Thacker’s compositional output on the disc reflects this polycultural synthesis with a delightful blend of traditional sounding Indian music with very Western harmonic progressions. Shave’s violin playing clearly draws from traditional Indian practices but to my ears her sound is only a slight nudge away from American fiddle technique. Kaur’s voice is bright and clean without ever becoming irritatingly nasal. Sabri’s tabla playing is direct, focused, and provides ample forward momentum when present.
As I am not an expert in music of India, I can’t speak much about the traditions surrounding the influences of each composition. The notes provide a wealth of guidance on all of these issues but I never found much need to refer to them in order for specific tracks to make sense. Everything on the disc makes sense as it is and left few questions that led to a need for research.
If I could point to a single track that represents the core of the music, I would choose Thacker’s compositions Svaranjali. The scales and rhythms used throughout this propulsive work are right on the edge of traditional ragas and something you might find on a Bela Fleck album. It isn’t that Thacker has “cleaned up” Indian rhythmic and pitch vocabulary to fit Western classical guitar tradition, Thacker instead draws on elements of both musics to shape a fiery and groovy piece.