clocksandclouds2

 

 Kraig Grady

 

Clocks and Clouds
In a Pentagonal Room

 

Kraig Grady

Terumi Narushima

 

 Anaphoria

 

From far-away Anaphoria comes music by Kraig Grady in a new album titled Clocks and Clouds, In a Pentagonal Room. This features Kraig playing the Meta-Slendro Vibraphone and Terumi Narushima on the Meta-Slendro Harmonium, a vibraphone and pump organ, respectively, that have been modified specifically to the microtonal pitch requirements of the five pieces on this CD. The live recordings, produced by Eva Cheng, took place in a pentagonal reverberation chamber with no parallel walls to better capture the acoustic possibilities inherent in these pure harmonic tunings.

A Wish Resounding from a Well, the first track on the CD features the Meta-Slendro vibraphone and begins with lightly delicate cloud of notes in the higher registers. Bright and mystical, the interplay of these tones add to the sense of a shimmering atmosphere. This does sound like the inside of a well and the instrument effectively leverages the acoustic properties of the reverberation chamber. Lower and middle tones ring out forcefully as the piece progresses offering a solid counterpoint to the airy wishes hovering in the upper registers. The piece ends with a slowly dissolving series of tones that seem to float upward and out of sight. This piece nicely balances the acoustics reminiscent of a well with the ephemeral nature of a rising wish.

The second track is To Search for Traces and begins with steady tones from the harmonium mixing together in a gentle, questioning wash of sound that is soon joined by a line of single tones from the vibraphone. The combination of the long, soft harmonium pitches and the percussive notes of the vibraphone combine effectively to create a sense of movement and journey. The harmonium finishes on a lower pitch and the vibraphone seems to increase in tempo and this leaves the listener with a feeling that the search continues even as the playing has concluded.

Reflections in a Mirrored Cavern is track three, and spare, solitary vibraphone notes begin this piece. Soon the notes are sounded in pairs and the intermixing of the tones closely related in pitch produce a shifting, surreal sound. More notes are added, and now beating between the tones produces new sounds, adding to the unreal atmosphere. The decay time of sound in the pentagonal chamber can be as long as 12 seconds and there is a sense of reflection and interference of tone patterns that accurately evokes a sense of multiple shimmering images. This piece is a fine example of how the interactions of tones sounded together can be used creatively given the right acoustic environment.

Track four is Illuminated Mist and here the vibraphone begins with a sparkling splatter of high notes that is soon joined by a high pitched tone in the harmonium.  This is followed by sustained low pedal tones in the harmonium that are especially effective in reinforcing the sense of mystery. The vibraphone creates a fine mist of notes and overtones that, grounded by the harmonium, give the piece its descriptive title. The harmonic interactions, at once exotic and reassuring, beget a sense of unfolding wonder at an imaginary landscape. Like walking around your neighborhood in a heavy fog, this piece is artfully mysterious and familiar at the same time.

The final track is titled Dawn Crossing of the Bridge and starts with simple, light vibraphone phrases accompanied by long, low harmonium tones that suggest a slow dawning presence just over the horizon. As with Illuminated Mist, this combination of vibraphone and harmonium textures are very effective in building a sense of place and mystery. As the harmonium sounds sustained tones in the upper registers, a feeling of the sun rising is achieved and the movement in the vibraphone line reinforces the the forward sense of motion. This piece ends quietly having accurately described not only the crossing of a bridge, but also a crossing from darkness into light.

Clocks and Clouds is a delicate, sensitive work that explores the landscape of alternate tuning in a completely convincing way. This is the album to send to your friends who may be skeptical of mictotonal music. This album makes a quiet – but convincing – argument.

Clocks and Clouds, In a Pentagonal Room is available at the music page of the Anaphoria website.

 

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