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FUNG: Keeping Time; HIGDON: Secret and Glass Gardens; HOOVER: Dream Dances; LUO: Mosquito; SHATIN: Chai Variations; De KENESSEY: Spontaneous D-Combustion; DEUSSEN: A Recollection. Mary Kathleen Ernst, piano. innova 868. 69 minutes.

Headline: Mary Kathleen Ernst, who I admit I had not heard of before I got this recording, is a spectacularly gifted pianist. She plays with assured technique, a vast timbral palette, and a keen sensitivity to the variety of contemporary compositional styles. The current program, of recent music by female composers, is far more than  showcase for Ms Ernst, but it is that, too.

The program opens with Vivian Fung’s sly look at Keeping Time. Ms Fung uses time-keeping (an obsession in much contemporary American concert music) for melodic and gestural musings, with the clock’s insistence always present. The melodies in Jennifer Higdon’s Secret and Glass Gardens begin as quietly purposeful wanderings that gradually blossom into large gestures covering the entire range of the keyboard.

Katherine Hoover’s Dream Dances begins with mysterious, impressionistic gestures (very idiomatic, pianistic) that are indeed dream-like in their ambiguity. The piece gradually, almost imperceptibly, develops into a driving, frenetic dance that abruptly, and convincingly, stops. Mosquito, by Jing Jing Luo, is a flighty beast indeed. Scurrying here, lighting there, it is a consistently delightful piece, well-written and expressive.

Chai Variations, by Judith Shatin, is a set of 18 variations on a Hebrew folk song. Shatin takes an effectively old-fashioned approach to variation form(s)–now Brahmsian, now Rzewskian–the theme is almost always clear in the background, if not the foreground. A shapely, convincing set.

Stefania De Kenessey’s Spontaneous D-Combustion is full of references to past styles. It is jaunty and eminently listenable. The program closes with Nancy Deussen’s attractive and haunting A Recollection. As the piece moves along, the nature of the “recollections” gets more-and-more elusive. It makes a fine end to a very good program, well-chosen and very well-played by Ms Ernst.

One Response to “Mary Kathleen Ernst, piano”
  1. Thanks for the insightful and comprehensive review, Steve. This is my debut solo CD (my 5th CD), so your endorsement is especially meaningful. I have longstanding friendships with these women and their music and I am thrilled to be one of their champions. I also loved recording in a live acoustic setting – Mechanics Hall, an historic concert hall in Worcester, MA. The Hamburg Steinway I played sat right underneath President Lincoln’s portrait. It was a memorable experience.

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