BATES: Stereo is King; Observer in the Magellanic Cloud; Difficult Bamboo; Terrycloth Troposphere; String Band; White Lies for Lomax. Cynthia Yeh, Jacob Nissly, Eric Banks, perc; Mason Bates, electronica; Chanticleer; Baird Dodge, vln; Ken Olsen, cello; Jennifer Gunn, fl; Susan Warner, cl; Kuang-Hao Huang, piano; Cliff Colnot, cond; Bill Ryan and the Grand Valley New Music Ensemble; Claremont Trio; Tania Stavreva, piano. innova 882. 66 minutes
I have to say right up front that I find that, even having listened to a fair amount of it, I cannot engage with most of what I’ve heard of Mason Bates’ music. With an important exception, the pieces on this release, well-written and played and sung impeccably and enthusiastically by renowned performers, don’t speak to me. I agree with Joshua Kosman, who writes “[f]or sheer compulsive listenability, you could hardly do better than the title track, a bowlful of sonic popcorn that combines Thai gongs with a sleek veneer of electronic processing.” In fact, these very aspects of it are an important part of what is off-putting about this music. But for some reason it doesn’t speak to me. So I don’t have much to say about the disc, except to repeat that it is very well-written, played, sung, and recorded.
Except for String Band, an expressive and riveting piece of music, given a powerful performance by the Claremont Trio. String Band wears its influences lightly and feels less wedded to its musical influences than are the rest of the pieces on the program. The sleekness that Mr. Kosman finds so enthralling in Stereo is King is missing here, and the expression is, at least to my ear, more direct, somehow less mediated than in the pieces I’ve heard from Mr. Bates, and from others in his compositional cohort.
The fact that the other pieces just don’t do it for me says as much about me as it does about the music, if not more. But my experience with String Band gives me hope, and that’s always very good.