Posts Tagged “Cold Blue Music”

CB0039Michael Jon Fink

 

 

From a Folio

 

 

Cold Blue Music

 

 

From Los Angeles-based Cold Blue Music comes a new CD by Michael Jon Fink titled From a Folio, featuring Derek Stein on cello and the composer at the piano. Michael Jon Fink has a distinguished 30+ year career as a composer and his music has been performed at the Green Umbrella series of new music concerts by the Los Angeles Philharmonic as well as a number of other venues and festivals throughout the United States and Europe. The long arc of his composing career has allowed Michael Jon Fink to refine his style of understated eloquence through simple musical materials, and From a Folio is a fine example of just how much this can achieve.

All of the tracks on this CD are short – running from two to a little over three minutes. All but one of the tracks use the same combination of spare piano rhythms accompanied by the cello. The first track, Invocation, is typical – the piano provides a steady, purposeful line of single notes in a rising, repeating sequence. The cello follows the piano, but in an unexpected register – high but not shrill – and the cello ends each passage on a sustained tone that compliments piano figure. This simple structure is unhurried and restful. Good control of intonation and pitch by Derek Stein is critical – the cello is almost never heard in its lower, warmer ranges.

Heiroglyph is next and this has a more mysterious feeling in the piano passages. The rhythms are a series of straightforward, deliberate notes. The cello follows with soft, sustained tones that add to the enigmatic atmosphere. Melos follows and here the piano weaves its line of single notes around very simple cello tones. More complexity is heard in the piano as this piece unfolds, but by the finish it has resumed its restrained character.

Aftersong, on track 4, is a completely different piece consisting of just the cello in a series of slow, dramatic tones that have been recorded separately but are heard together in this track. This has a sense of lonely isolation and is played with great feeling by Derek Stein who also performs with Gnarwhallaby and wildUp, two Los Angeles groups known for a much more animated and energetic sound – this CD is evidence of a softer, more introspective side to his playing.

The remaining tracks – From a Folio, Over and Exit – return to the original combination of piano and cello. From a Folio, track 5, suggests a questioning feel in the quiet piano chords. The cello answers by way of single, sustained tones that are masterfully infused with emotion. Over is a more solemn piece, with a tinge of sadness. Exit, the last track, opens with a series of luminous piano notes that seem to hang suspended in the air. The cello shortly picks up the same notes, sustaining them while the piano replies in quiet counterpoint. The cello, again in a high register, repeats the opening theme as the piano adds a few short arpeggios. The solitary sound of the cello plays out as the track concludes.

From a Folio is the perfect title for this CD. Each piece is one of a series of brilliant jewels as if cut from the same stone. From a Folio by Michael Jon Fink is music that is simple, yet essential – an elegant vessel of deep expression.

From a Folio CB0039, is available from Cold Blue Music starting October 14, 2014

 

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Cold Blue Two

Adams, Bryars, Cox, Fink, Fox, Garland, Lentz, Marshall, Miller, Polansky, Rosenboom, Schroeder, Smith, Tenney

 

 Cold Blue Music

CB0036

 

Cold Blue Music, the landmark recording label that features minimalism and post-minimalist music centered on the West Coast, has issued a new CD collection containing previously unreleased works by fourteen artists. A sequel to Cold Blue (the anthology) , Cold Blue Two maintains the high standards set by the first CD. With such artists as Daniel Lentz, Ingram Marshal, John Luther Adams, James Tenney, Jim Fox and others, Cold Blue Two stands as a valuable benchmark of the state of early 21st century music. The tracks on this CD are accessible yet evocative, warm, introspective and often profound – it is the ideal collection for the new music enthusiast or for those listening to serious contemporary music for the first time.

With fourteen short pieces by fourteen separate artists it is impossible to comment at length on all the tracks, but here are some observations on a few that caught my ear.

Celli – Daniel Lentz (2008)
Written for a single cello but with the solo lines overdubbed, this piece produces a lovely layered sound – warm and welcoming. Long, well-crafted tones. Introspective, with just the right amount of sentimentality – almost nostalgic. Produces the feeling of summing up that you get while watching a beautiful sunset. A strong work to lead off this CD.

Sometimes the Sword of Seven – Chas Smith (2008)
Composed specifically for this CD and realized electronically utilizing a steel guitar and Hammond organ as sources, this piece is a series of layered scale-like sounds that grow ominously in density and complexity. The tension increases as the pitches move upward – like a jet engine revving up – culminating in a sudden crash of chords that slowly decay while a church bell-like ringing creeps into the foreground – a very effective resolution.

Sky with Four Suns – John Luther Adams (2010)
A piece written to evoke the various phenomena of the low arctic sun as it interacts with ice crystals in the air to form halos, arcs, sun-dogs and mirages of multiple suns. This piece opens with long, low cello chords to create a warm sense of place, almost like being at sea on a calm day. The higher strings add to the welcome. The feel is anything but forbidding or bleak, as the subject might imply, but rather there is a sense of calm and reassurance. The bassoon trill towards the end reinforces the pastoral motif. An unexpectedly lush vision of the Alaskan environment.

Mallets in the Air – James Tenney (2002)
Here is a piece that adds an important historical connection to its musical virtues. Just intonation, combined with the Harry Partch diamond marimba and a string quartet produce this satisfying mix of drone and fast-moving, propulsive rhythms.

Eskimo Lullaby – Larry Polansky (2006)
A quiet, almost conventional piece written for the Lou Harrison Just Intonation Resonator Guitar. Organic, natural sounding and familiar – like folk music. Gentle and serene with excellent vocals. Try this one out on friends who are suspicious of alternate tunings.

In addition to those mentioned above, other artists appearing on Cold Blue Two are Gavin Bryars, Rick Cox, Michael Jon Fink, Peter Garland, Read Miller, David Rosenboom, and Phillip Schroeder.

Cold Blue Two is a compelling collection of contemporary music that is unified by quiet surfaces yet contains strong, flowing passions that will connect with any serious, inquisitive listener.

Further info at Cold Blue Music,  here.

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