Ensemble et cetera
Recorded in 2012 and released last year by Populist Records, Even the Light Itself Falls is an 86 minute masterpiece from Scott Worthington. Flawlessly performed by ensemble et cetera, this music is a quiet, reflective vision informed by space, stillness and the ocean reaching to a far horizon. The liner notes set the scene: “The Pacific Ocean. A long drive. The view atop a mountain.” Even the Light Itself Falls brilliantly captures this iconic West Coast experience.
Ensemble et cetera consists of clarinet, double bass and percussion, but these few voices actually work to the advantage of the music – simple, direct, open and with silence as an integral component. Curt Miller on clarinet provides some amazing playing, especially in the first part of the piece. The sounds from Scott Worthington’s double bass are profound, even while outside the usual context of this instrument, and the solitary bell tones produced by percussionist Dustin Donahue become the signature of this piece.
Even the Light Itself Falls opens with a series of haunting clarinet calls – almost bird-like but filled with a beautiful longing reflection. This feeling is reinforced with solemn bell tones that sound at intervals as the passages progress. The double bass joins in to provide long, sustained tones that give continuity or sometimes in echo of the clarinet. Often there are short silences, as if to let the sounds settle in the ear. The music unpacks itself gradually, the passages are often similar but never quite the same, even if one of the instruments has a repeating phrase. The overall effect is a powerful combination of serenity and introspection – it is as if we are indeed looking far out to sea from a high mountain top, hawks wheeling above, the ocean waves rolling in to the beach below.
About halfway through, the feeling becomes briefly animated with more percussion and all the instruments sounding at once. This serves as a transition to the second half in which the high clarinet calls are replaced by longer, more somber tones combined with repeating figures in the bass. The feeling as the second half proceeds is like that at dusk, a time of lengthening shadows and gathering darkness. The bells are now heard in groups and patterns, like stars appearing in a darkening sky. As Scott Worthington mentions in the liner notes: “Even as the sounds ebb and flow, there is a constant pull toward stillness.” The last two minutes are a lovely mixture of deep bass trills, matched in the clarinet and bells – the last rays of the sun slipping over the horizon.
The title of this CD – Even the Light Itself Falls – was taken from an essay by Jean-Luc Nancy, “On the Threshold”, from a scene describing the death of one of the characters. This music is anything but sad, but the title aptly describes the vast realities of nature that confront us, as when watching the sun set into the ocean; we sense our insignificance and yet at the same time feel connected to a larger grandeur. Listening to this music places us squarely into this transcendental experience.
Even the Light Itself Falls is available by download from Populist Records.