Hovhaness: solos, duos, and trios
music of Alan Hovhaness
Paul Hersey, piano; Christina Fong, violin|viola; Libor Soukal, bassoon; Jirí Å estí¡k, oboe; Karen Krummel, cello; Michael Kornacki & John Varineau, clarinets; Christopher Martin, viola
The vastly prolific composer Alan Hovhaness gets captured in a time capsule of chamber music in this OgreOgress release. This 126 minute DVD-A disc (96kHz|24bit for you audiophiles out there) contains a full fourteen chamber pieces, thirteen of which are getting premiere recordings. The chronological ordering of works provides a journey from Hovhaness’ early populist tonal/modal style through his initial experiments with his better known Eastern influenced mystical language. There are pieces from each decade of Hovhaness’ productivity so if you are wanting a sampler of Hovhaness’ chamber output, there really isn’t a better place to start than this recording.
While probably better known for his symphonies, Hovhannes is equally skilled at writing his musical ideas in chamber form. The disc is crammed full of top notch performances and the audio quality of the disc is stunning. The solo piano works are rich with harmonics. The string trio sounds as if they are right in front of you. I was especially struck by the overtones in Libor Soukal’s bassoon sound in the Op. 23 Suite for oboe and bassoon.
There is no one large, dominating work on this disc which again makes it enjoyable for hearing the evolution of Hovhannes’ style and also encouraging performers to take up more of his chamber music. As I first listened to the disc, I was surprised at the style of the earlier pieces but the through line of Hovhaness’ development seemed as natural as breathing air. Then, when I started over with the early piano trio, I was amazed at how much of the later music is hidden in the earlier. Flirtations with modality in the early pieces evolve into raga-esque melodies a few decades down the road.
Each performance on this disc is well crafted from the performer to the ensemble through to the recording. The musical language overall is accessible and just plain pretty. I was especially fond of the piano trio, the piano sonatina, the string trio, Night of a White Cat, and the solo viola sonata. That is quite possibly more music than I would get on a standard CD. The fact that I get all the other works, which I also enjoyed, is a major bonus. OgreOgress is doing it right with good music, great performers and performances, and excellent recordings.