Posts Tagged “ironworks”

Ironworks Percussion Duo CD cover

Dave Gerhart and Axel Clarke, percussion 

  • Uncompression – Ming-ching Chiu
  • Volume – Missy Mazzoli
  • Tribute – Dave Gerhart
  • Arc & Current – Roger Przytulski
  • A Cosby Sweater – Axel Clarke
This intriguing disc of works for percussion duo covers a wide gamut of color and style. Two pieces, Uncompression and Volume were award winners in Ironworks’ first percussion duo composition contest held in 2009 and it is easy to see why both pieces were given honors (Uncompression won 1st prize, Volume took 3rd). Uncompression is a simultaneously focused yet sprawling work for unpitched percussion. Gestures and textures shift from driving drums to ambient cymbals and tinkles. Rhythmic ideas keep the composition coherent without using an obviously underlying motive or germ. Things fit together in this duo because everything feels right. In contrast, Mazzoli’s Volume uses steel pans, wine bottles, vibraphone, and kick drum to create a tightly woven cloud of harmony over a twitchy and energetic rhythmic language.
Two pieces are also composed by the duo. Dave Gerhart’s Tribute is a three movement piece based on African drumming. The first movement is bound with a hypnotic groove of drums and stick clicks, the second movement is wonderfully sparse with whispers of shakers, lightly brushed drums, and other softer sounds. The final movement is a barn burner of driving drums. A Cosby Sweater by Axel Clarke begins with bold and dramatic metrical gestures and unfolds in what sounds like a rather strict metrical environment (as opposed to the metrical freedom found in Tribute). Tempo becomes the most motivating factor in the various sections of A Cosby Sweater. Having these various groove zones stitched together is somewhat reminiscent of the title’s source…

Arc & Current is the most pitch-based work and uses only steel drums as its instrumentation. Irregular rhythms and punchy homophonic accents motivate the Arc movement while a more tender and slower (although not THAT slow) melodic line winds through Current. Under these irregular melodic phrases come moments of pop-inspired cadential harmony which work very nicely. This final movement reminded me of harmonic and structural moments in the Levitan Marimba QuartetArc & Current contrasts with the rest of the works on this disc but, come to think of it, so does every other piece on this disc… At any rate, Ironworks makes all of these musical styles sound natural to them and manages to relate the sound world of each piece to the others. Each composition sounds different yet the entire album sounds coherent. Both Dave Gerhart and Axel Clarke should be commended on their performances, recording, and programming of this disc. I can’t wait to hear 2.

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