Biography:
Jacob David Sudol (b. Des Moines, Iowa, 1980) writes intimate compositions that explore enigmatic phenomena and the inner nature of how we perceive sound. He currently resides in La Jolla, CA where he is Ph.D. candidate in composition at the University of California at San Diego with Chinary Ung.
Over the last five years some of Jacob Sudol's mentors have included John Rea, Alvin Lucier, Roger Reynolds, Denys Bouliane, Philippe Leroux, and David Dunn. He has also participated in master classes with Helmut Lachenmann, Fred Lerdahl, and Bent Sørensen.
Jacob Sudol has written music for domestic and international performances by many prestigious ensembles and performers including the Nouvel Ensemble Moderne, the Contemporary Keyboard Society, Canadian pianist Xenia Pestova, Taiwanese pianist and composer Chen-Hui Jen, Brazilian percussionist Fernando Rocha, and the McGill Contemporary Music Ensemble in collaboration with the McGill Digital Composition Studio. He also frequently performs his own works for instruments and electronics in diverse settings such as the Atlantic Center for the Arts, the International Computer Music Conference, the University of California San Diego, the wulf in Los Angeles, the MATA Festival, and the Issue Project Room in New York City.
Jacob Sudol has been a studio research assistant for Pulitzer Prize-winning composer Roger Reynolds since 2007. During the 2005 and 2007 international Montréal/Nouvelles Musiques and 2006 MusiMars festivals he was an electronic assistant for performances with Court-Circuit, Martin Matalon, Matt Haimovitz, Sara Laimon, Moritz Eggert, Manfred Stahnke, the Caput Ensemble, and the McGill Contemporary Music Ensemble.
During his free time Jacob Sudol takes an interest in religious phenomenology, literature, acoustics, psychoacoustics, visual art, cinema, poetry, and world folk music. As a composer he always attempts to bring insights from these other fields into his work.
Contact: jacob.sudol@gmail.com
Archives:
- June 2012 (1)
- July 2011 (1)
- January 2011 (1)
- December 2010 (2)
- November 2010 (4)
- October 2010 (10)
- September 2010 (4)
- July 2009 (1)
- November 2008 (1)
- August 2008 (1)
- March 2008 (1)
- February 2008 (4)
- December 2007 (1)
- November 2007 (1)
- August 2007 (1)
- July 2007 (2)
- June 2007 (10)
- May 2007 (9)
- April 2007 (11)
- March 2007 (4)
- February 2007 (9)
- January 2007 (7)
- December 2006 (3)
- November 2006 (8)
- October 2006 (8)
- September 2006 (8)
- August 2006 (11)
- July 2006 (9)
- June 2006 (7)
- May 2006 (1)
- April 2006 (2)
- February 2006 (3)
- January 2006 (2)
- December 2005 (3)
- October 2005 (4)
Tags:
"extra-instrumental" techniques "Inner Music" acousmatic compositions anxiety Berio Bob Dylan Charlemagne Palestine cinema cries Denys Bouliane eschatology folk music guitar orchestra Gérard Grisey harpsichord introspective works Jacob Sudol Joanna Newsom Lachenmann Ligeti Luigi Nono masters' thesis microtonality minimalism mixed compositions Montréal Morton Feldman orchestra personal aesthetics piano popular music post-spectral psychoacoustics Roger Reynolds Scelsi singer/songwriters songs sonic phenomenology spectralism string orchestra string quartets Takemitsu two-movement compositions Vivier Xenakis
Monthly Archives: October 2006
Mp3 Blog #36: Some Songs
For Edison Glenn (January 25, 1980 – October 19, 1996)il maglio fabbro Bob Dylan:”He Was a Friend of Mine”Available on The Bootleg Series Volume 1 Blind Willie Johnson:”Lord, I Just Can’t Keep From Cryin’”Available on The Complete Recordings of Blind … Continue reading
Mp3 Blog #35: “Qualia sui”
Denys Bouliane:”Qualia sui:” I (2001-2002)”Qualia sui:” II”Qualia sui:” IIIFor piano trio Performed by the Trio Fibonocci Recording not commercially released * * * * * Following what is starting to become running series of quiet introspective posts, I’ve decided to … Continue reading
…for fighting letdown
Yesterday afternoon I submitted three copies of the three volumes (analysis, score and documentation, and DVD and CD) of my thesis along with the proper forms. Once the internal and external examiners review them and I make the final edits, … Continue reading
Mp3 Blog #34: Approaching Silence
Wolfgang Rihm:String Quartet #3 ‘Im Innersten:’ I, schroff (1976)String Quartet #3 ‘Im Innersten:’ II String Quartet #3 ‘Im Innersten:’ III String Quartet #3 ‘Im Innersten:’ IV, äuBerst gedehntString Quartet #3 ‘Im Innersten:’ VString Quartet #3 ‘Im Innersten:’ ZwischenspielString Quartet #3 … Continue reading
Mp3 Blog #33: Music as Entropy
Music as Entropy: Iannis Xenakis:”Herma” (1961)Performed by Aki TakahashiFor solo pianoAvailable on this compact disc featuring some piano works by Xenakis Yo La Tengo:”Green Arrow”Available on ”I Can Hear the Heart Beating as One” Gérard Grisey:”Partiels” (1975)For 18 musiciansPerformers unknownAnother … Continue reading
The Obligatory First Anniversary Edition
One year ago today I posted my first entry on my Sequenza21 blog and following certain obligatory compulsions I feel a need to write a few reflections on the last year or so. I remember clearly that earlier in the … Continue reading
Mp3 Blog #32: Steve Reich
Steve Reich: “Different Trains: After the War” (1988) For string quartet and tape If you don’t have a copy already go buy Krono’s version, the Smith Quartet Version, or the Quator Bozzini version * * * * * I was … Continue reading
#31: Tom Joad
Woody Guthrie:”The Ballad of Tom Joad” (side A)”The Ballad of Tom Joad” (side B) (1940) Available on the magnificent compact disc, Woody Guthrie: “The Dust Bowl Ballads” * * * * * I’ve heard that a number of people who … Continue reading