Post-Prae-Ludium #1 (1987)
For tuba and live electronics
Performed by Giancarlo Schiaffini
Currently out of print
Das Atmende Klarsein (1981)
For bass flute, choir, and live electronics
Performed by Roberto Fabbriciani and the Solistenchor Freiburg
Available on this recording at emusic
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This last week the Conservetoire de Montreal has held a festival on the music of Luigi Nono titled: Le Maître du Son et du Silence. Although I’ve been far too busy completing “Inner Music” to attend many events I have seen a concert of his chamber music and another concert of his music for large ensembles.
I’m always approach a loss of words when I attempt to describe Luigi Nono’s music. The first time I posted Nono it was in the guise of a post on the esthetics found in Andrei Tarkovsky’s cinema and in my second post of Nono I just wrote some jumbled phrases that resembled nonsense. The most that I can get from Nono’s music (particularly the later works which I prefer) is his acute awareness of sonic and psychological phenomenology.
I suppose it is because of my difficulty that I’m fascinated by how many people have written about Luigi Nono’s music. Although I’m sure that his early serial procedures, frequent use of text, and far leftist position provide a large body examinable material I think there is something more integral to his esthetic that demands attention, examination, and scrutiny. The two concerts I’ve seen this week demonstrate in more ways that I could have imagined that Nono’s music that is a music best heard live and, possibly more importantly, amongst others engaged in the same active auditory attention, examination, and even some scrutiny.