Posts Tagged “Eric Lyon”

BOO! Don't be scared, it's just Christopher Rouse.

I’m looking forward to the West Coast premiere of Christopher Rouse’s String Quartet no. 3 by the amazing Calder Quartet. The enthusiastic gentlemen in the Calder Quartet have worked closely with Rouse, having recorded his first 2 quartets and his chamber ensemble work, Compline on this terrific CD.

I know there’s been Rouse-bashing by some visitors here in the past, but I admire some of his music, especially when he’s writing in his Sturm und Drang mode (as he did in the 1st Quartet and the middle movement of the 2nd). The 3rd Quartet promises to be his ultimate ultraviolent work. Here’s a quote from his program notes on the new work:

My overall description of the piece would be something akin to a schizophrenic having a grand mal seizure. This, at least, was the image to which I continually referred as I composed the music. The twenty-minute score is dedicated to the Calder Quartet and, after a slow introduction, follows a standard fast-slow-fast ordering of sections played without pause. The music is staggeringly difficult to play, and I believe this to be my most challenging and uncompromising work to date.

Those of you familiar with the fast movement from Rouse’s 2nd String Quartet have some idea of what he’s talking about when he describes “challenging and uncompromising” music.

Here’s a dirty laundry review of a Summerfest concert from the last time they programmed Rouse in San Diego, along with links to the very performance by red fish blue fish which I reviewed.

Also: More Eric Lyon! That’s what my blog visitors seem to want. So here’s a review of his work Typhoid, the black sheep at a modernist music festival back in 1993 (and the only piece with which I had a clear audio memory today from that festival 17 years ago).  And from a SONOR concert in the early ’90s, a review of Eric Lyon’s Splatter and David Lang’s Dance/Drop.

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Why do some extraordinarily talented people never show up on the radar? Eric Lyon is one such unsung genius. I understand he’s been impressing folks in Brooklyn the past few years, and he wowed them at the Bonk Festival of Music in Tampa for over a decade (not to say that knocking them dead at the Bonk Festival is going to boost anyone’s career). But unless you go to ICMC or SEAMUS or have had the good fortune to live somewhere that Eric regularly presented his music, you probably don’t know about him.

Whatever the reason, it is a cosmic injustice of the highest magnitude that Eric Lyon is on the far side of his 40s and hasn’t had a major commission yet or a big label recording or received tenure somewhere.

I just posted a review of an all-Lyon concert at UC San Diego back in 1993. I wrote many favorable reviews of Eric’s work back in the 90s, and I’ll be posting them on my blog to try to convey to readers how exciting it was to see the words “Eric Lyon” and “world premiere” on a concert program back then.

Read the review here.

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