You know it’s going to be an exciting evening when one of the performer’s bios states that, among other things, she has performed, “with robots locked inside a Van de Graff generator at Boston’s Museum of Science.” From that moment on, I was sold.
Ear To Mind produced the evening’s concert, at the Leonard Nemoy Thalia theatre at Symphony Space. Ear to Mind is a New York City based arts organization that “strives to present innovative programs that allow the public to experience contemporary music in non-traditional context.” What was heard on this evening was a truly remarkable display of modern art today.
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Posted by Chris McGovern in Electro-Acoustic, Events, Experimental Music, New York, Performers, Review, tags: Amy X Neuburg, Composer/performers, Cory Smythe, looping, multimedia, performance art, Piano, Roulette
Cory Smythe and Amy X Neuburg; Photos courtesy of Glenn Cornett
Amy X Neuburg/Cory Smythe
Dec. 13, 2011
It’s East Meets West…coast, that is.
On the stage of the old-school charming Roulette in Brooklyn was yet another creatively edgy program, put on this time by the pairing of West-coast avant-cabaret artist Amy X Neuburg and New York’s own pianist-composer, ICE’s Cory Smythe. Presented without an intermission, the show was almost entirely electronic or electro-acoustic in nature (with the exception of a refreshing burst of Fats Waller’s “Handful of Keys” from Mr. Smythe), and most of the pieces were composed and/or arranged by both of them. Read the rest of this entry »
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Posted by Christian Carey in CDs, Composers, File Under?, Video, Violin, Women composers, tags: alt-classical, Fenway Bergamot, Homeland, Laurie Anderson, Lou Reed, performance art
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