Between mid-October 2010 and late March 2011 three CDs of my music in various genres have been recorded and a fourth disc is planned for late June. These will come out in separate issues, each on a distinct label: Naxos, Navona, and MSR (the June and March sessions together forming a 2-disc survey).
The Navona disc is first to be out (formal release on April 26th). It features the Harlem Quartet and Awadagin Pratt performing chamber music for strings and piano, titled “Eternal Evolution”. It was recorded in December — in bitter cold, between snow storms — at the Recital Hall of the Performing Arts Center at SUNY Purchase. (A great space, this is the fourth CD of my music captured in that hall.) Adam Abeshouse is producer/engineer.
The recording sessions were terrific and the performances are exemplary – I wanted to let loose quite amazing musicians within my sound-world, and see what resulted. Plus the disc is for me a first: an expanded CD, which when played through a computer will also scroll the scores for two of the pieces, show additional photos, and display program notes and bios more detailed than the norm while including large score extracts within the discussion.
“Eternal Evolution” was designed with two goals in mind:
- as a showcase for the performers (featuring the energetic and lyric Harlem Quartet both as ensemble and as individual players, and Awadagin in repertoire not normally associated with his very expressive, visceral playing) ;
- as a platform primarily for more recent music, notably String Quartet “The Figure”.
This is my first string quartet, written in mid-2007, at age 61. (I waited until I had something particular to say in that medium — just as with my first piano concerto, Concerto for Piano and Wind Orchestra ‘Solar Traveller’, written at age 65.) When a medium has been so completely and imaginatively explored by composers who came before, the composer now should be sure that the music in her head is distinct and urgent enough to be a warranted addition to rep.
[ = I also chuckle at the thought I “out-Brahms”ed Johannes. His first symphony was written at age 40; mine didn’t appear until I was 50. Between teaching and serving the needs of hordes of students along with family, I’m a prime instance of “late bloomer”. ]
Other pieces on “Eternal Evolution” are ZONES – Piano Trio No. 2, Serenade (for piano trio), and the virtuosic viola solo, Astral … a mirror life on the astral plane …