Taking a Flyer

I’m experimenting with a trial balloon in crowd sourcing.
UnitedStatesArtists.org has now listed a project involving one development stage for my new big piece: Pure, Cool (Water) – Symphony No. 4.

Why this project?
It’s a piece close to my own heart – five movements for large orchestra, c. 33 minutes long – the newest piece aligning my continuing fascination with phenomena of the natural world with a family focus of long standing centered on environmental preservation: enhancing water quality control and preserving this crucial natural resource.

Equally important to the project coming forward in this way is the truth that artists can get typed.
Demand doesn’t always subsume to our creative visions for the future:
Commissions frequently are based upon an acquaintanceship with a composer’s existing music, primarily the works for a particular medium. Commissioners don’t always track the trend of a composer’s fresh imagining, nor perhaps be quite ready to support a brand-new vision; and it’s especially difficult if the new piece is in a medium for which the composer has written relatively little so far. Since my chamber music and solo pieces are better known than the orchestra works, the current Symphony seems an intriguing, and honest, way to try out a relatively new method for garnering support.
(Plus: If this support does materialize, the contributions from orchestra co-commissioners can be kept to a modest level, resulting in greater number of performances right off the bat, across the country.)

Why this method?

I often whisper in the ear of musicians about to go onstage with their first performance of a work of mine “Take the Dare!”
– With the new Symphony, I’m taking my own advice.

Why this portal?

Unlike other portals, USArtists Projects sets a relatively high bar for vetting the artists they invite in – a credential already in place such as a Guggenheim, or Bush Foundation Fellowship. In addition, they include a fair number of foundations among long term participants. And the project presentations themselves are elaborate, involving video, audio, images and plenty of text.

The project is titled Developing the Full Score of “Pure, Cool (Water)” Symphony.
It will run for one-and-a-half months and can be viewed under my name at unitedstatesartistsprojects.org.

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