Another of Smooke’s 2/22/11 NMBx comments just made me laugh. “Most people’s tastes ossify by the time they reach maturity, and throughout their adult life they seek comfort through repeated encounters with the art of their youth.”
Very Not-So. Born-in-the-bone composers possess a big bump of curiosity about music — about all the arts, about life — which gets scratched regularly, and often. The “non-Pergolesi”s among us know that our individual artistic voices mature over time — that we come into our own just about when a professional baseball player’s career is winding down.
We continue actively to meet music in score and in sound. We constantly evaluate, re-assess, incorporate a new approach or perspective when it works with what we’re all about. We welcome fresh approaches (that aren’t gimmicks), and have no fear to step out, step forward. In short, no calcification!
[ What about academia, you ask? Well… maybe. But I suspect a large part of the slow-to-change, “I-teach-as-I-was-taught” groove comes from the fact that source materials -- anthologies, music history and appreciation texts – just plain do not keep up. But there are fuddy-duddies out there, unhappily. ]
I’m so sure that the next-biggest-thing will be the product of a mature music creator that the annual prize I endow (through IAWM) is specifically for a composer over 30 whose music has not yet been published or performed in a principal venue.
There’s wisdom – seasoned, at that – to discover your position within the continuum that runs from “Time is of the essence” to “All things come to the one who waits.”
~ One happy proponent of ‘hearing it all, all the time’ is Frank Oteri . He often writes in NMBx about his philosophy of openness to all the music out there, as on March 1st: “I’ve attempted to eschew self-selection and try to approach everything with completely open eyes, ears, and heart.”