Month: March 2015

Contemporary Classical

Bird Lives! In Philadelphia, Of All Places

The joyous news from Philadelphia today is that Bird Lives!  Opera Philadelphia is doing its first premiere in almost four decades and it’s Charlie Parker’s Yardbird,  composed by Daniel Schnyder, whose “thrilling classical-tinged jazz blend…constantly pushes the envelope” (Jazz Times), to a libretto by award-winning poet and playwright Bridgette Wimberly.  The new chamber opera was created for American tenor Lawrence Brownlee, a nominee for the 2015 International Opera Male Singer of the Year Award. Co-commissioned and co-produced with Gotham Chamber Opera, Charlie Parker’s YARDBIRD was conceived and written for Brownlee’s agile, expressive voice, which Schnyder likens to the color and technical virtuosity of Parker’s music. As the New York

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Concert review, Contemporary Classical, Los Angeles

Ferneyhough Concert in Los Angeles

Art Share LA, in the heart of downtown Los Angeles, was the scene of a concert Friday February 27, 2015 entitled Terrain featuring works by Brian Ferneyhough, Brian Griffeath-Loeb and Elizabeth Lutyens. The occasion was the first anniversary of the WasteLAnd ensemble and a nice crowd turned out for an evening of complex music and birthday cake.   The concert began with Recomposition #4 (2012) by Brian Griffeath-Loeb and this featured Mark Menzies as solo violin. According to the program notes “… Recomposition #4 takes Ferneyhough’s iconic violin solo, Intermedio alla Ciaccona, and subjects it to an array of transformations.

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Contemporary Classical

Homecoming: Sir Simon Rattle Named Music Director of LSO

The London Symphony Orchestra announced today the appointment of Sir Simon Rattle as its Music Director. He will take up his appointment in September 2017, following in the footsteps of previous Principal Conductors including André Previn, Michael Tilson Thomas, Sir Colin Davis and Valery Gergiev. As Music Director he will be involved in every aspect of the LSO’s work as well as championing the importance of music and music education. At the announcement of his appointment, Simon Rattle said: “During my work with the LSO over the last years, I noticed that despite the Orchestra’s long and illustrious history, they

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