One of Sequenza 21’s friends is the “Diasporic Soprano” Candice Hoyes. A versatile vocalist and songwriter, she sings everything from opera to jazz to pop adjacent new music. Her new single, “In the Upper Room (For Mary Winnifred)” for soprano, piano, and bass is out today and available on Bandcamp. Mary Winnifred was Hoyes’s grandmother and a mentor figure for her. In the Upper Room (for Mary Winnifred) by Candice Hoyes The song is part of the inaugural Lincoln Center Social Sculpture Projects “Sadah Espii Proctor’s adrift: the bayou project, curated by the incredible Joyous Pierce,” which can be viewed April 26
Read moreCarl Philip Emanuel Bach Symphonies from Berlin to Hamburg Akademie für Alte Musik Berlin Mayumi Hirasaki and Georg Kallweit, concertmasters Harmonia Mundi Carl Philip Emanuel Bach (1714-1788) was the middle of Johann Sebastian Bach’s three surviving sons. His music occupies the period between the baroque and classical, often called the galant or rococo style. It truly is a transitional era, with the development of the orchestra, symphony, and a move toward more homophonic textures. Several recordings of his works have recently been issued, and it is nice to see this talented composer having a moment. Akademie für Alte
Read morePhilip Glass Solo Philip Glass, piano Orange Mountain Music This is the second piano album made by Philip Glass. Solo Piano (1989) contains some overlap of tracks with the latest recording, Philip Glass Solo (2024), but there are distinct differences between the renditions on each. At 87 years of age, and in demand from opera houses, symphony orchestras, chamber ensembles, and filmmakers for a steady spate of new works, a solo performance recording might seem like an unnecessary addition to Glass’s catalog. But it is in those aforementioned differences found in the music that he shares a different vantage point
Read moreOn Saturday, April 6, 2024 the Santa Monica Public Library and the Cold Blue Music recording label presented a concert titled An Afternoon of Double Basses and Piano. This was the latest incarnation of the Soundwaves series of new music concerts, now back in business after the Covid pandemic. The library auditorium was undergoing some renovation, so this concert was held in the nearby Edye Theater at the Broad Stage, part of the Santa Monica College Performing Arts Center. There were three works presented: Darkness and Scattered Light, by John Luther Adams, featuring five double basses, Flying, by Christopher Roberts,
Read moreOn Saturday, March 30, 2024 Brightwork newmusic presented I Will Learn to Love a Person, a concert of new music at Boston Court Pasadena. Brightwork musicians Aron Kallay, Stacey Fraser, Brian Walsh and Nick Terry contributed excellent performances of works by noted composers.. The six works on the concert program dated from 2012 to 2024 and featured unusual combinations of vocals, piano, woodwinds and percussion. The first piece on the concert program was Wagon Wheeling (2012) by Tom Flaherty and written for Aron Kallay. This piece was inspired by those old western movies where the camera frame rates gave the
Read moreOn Sunday, March 24, 2024 the Pasadena Conservatory of Music presented the second in this season’s Wicked GOAT concert series of Contemporary Music for Young People. The concert is free to the Conservatory community and every seat in Barrett Hall was filled with eager faces and proud parents. The theme for this occasion was Stories and a stellar group of Los Angeles-based performers were on hand to bring four new music compositions to life, including a world premiere. Sopranos Hila Plitmann and Elissa Johnston brought their extraordinary voices to the stage, and this was the first Wicked GOAT concert to
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