Tomorrow from 2-8 PM in Philadelphia Episcopal Cathedral, FLUX Quartet plays Morton Feldman’s String Quartet No. 2. The concert is the last event in American Sublime, a two week long series that has spotlighted Feldman’s late music. FLUX has been performing the piece since 1999, and their rendition runs around six hours. Feldman himself suggested that the piece could run anywhere from 3 1/2 to 5 hours. But one senses that FLUX’s more expansive time frame doesn’t contravene his intentions. String Quartet No. 2, like many of Feldman’s late works, is about breaking past the boundaries of form and instead shaping
Read moreThe American Composers Orchestra has been holding annual reading sessions for twenty years now: quite a milestone! This weekend will see composers of concert music hearing their works read by the ACO, conducted by George Manahan, with one of the composers being awarded a $15,000 commission. For the first time, there will also be sessions devoted to jazz composers. The New Music Readings’ (June 3 & 4) participating composers are Janet Jieru Chen, Mukai Kôhei, Michael Djupstrom, Narong Prangcharoen, Jordan Kuspa, and Kate Soper. The Jazz Composers Orchestra Institute Readings’ (June 5 & 6) participating composers are Harris Eisenstadt, Mark Helias,
Read moreAs we gallop towards the end of the concert season proper (and towards the bevy of summer music festivals), it’s shaping up to be a busy time here in New York. Case in point, in the evening on Thursday June 2nd, there are two events that would suit many a new music aficionado’s fancy. Locrian Chamber Players are performing at Riverside Church at 8 PM. The program includes John Adams’ String Quartet (a work that also appears, with different performers, on the new Adams Nonesuch disc), a piece by Manhattan School of Music faculty member Reiko Füting and world premieres
Read morePianist Marilyn Nonken is performing Triadic Memories on June 4 in Philadelphia as part of “American Sublime,” a festival devoted to the works of Morton Feldman. Marilyn was kind enough to tell us a bit about working on Feldman’s music, as well as some of her other upcoming projects. -What were your early encounters with Feldman’s music like? I can’t remember my first live Feldman experience as a listener. One of the first works I remember hearing was FOR SAMUEL BECKETT. My first experience playing Feldman was with Ensemble 21, when we performed VIOLIN VIOLA CELLO PIANO, which was
Read moreAnyone who thinks that straightened circumstances of a still sluggish economy have dampened the ambitions of concert presenters need look no further than Philadelphia to see a sublime idea at work. Bowerbird, a Philly-based non-profit, is mounting “American Sublime,” a seven concert festival devoted to the works of New York School composer Morton Feldman (1926-’87). The concerts run from June 4-12, with ticket prices ranging from free to $20. Marilyn’s hands. Photo by Peter Schütte Excerpt from Triadic Memories, performed by Marilyn Nonken on Mode 136 Courtesy Mode Records A M E R I C A N S U B L I M E A
Read moreAs I mentioned yesterday, Talea Ensemble will be giving a concert of works by Olga Neuwirth in New York City on Tuesday at 8 PM (Details/tickets here). The group’s percussionist, Alex Lipowski, was kind enough to talk with me about Talea’s activities of late and tomorrow’s show. – This has been a busy season for Talea Ensemble. Do you feel that the group’s reach and activities are expanding of late? The 2010-‘11 season has been an amazing collection of projects for Talea and we are so grateful for each of them. One of our goals is to reach as wide
Read moreThe MATA Festival’s final performance is 7:30 PM tonight (5/12) at Le Poisson Rouge. It features the Metropolis Ensemble, premiering several new works commissioned by MATA, including Ryan Carter’s Skeumorphic Tendencies and The Rake, a hip-hoperatic retelling of Stravinky’s Rake’s Progress by Brad Balliett and Sequenza 21’s own Elliot Cole. Ticket information can be found on LPR’s site or via Metropolis here. A Burst of Blinding Clarity from Metropolis Ensemble on Vimeo.
Read moreSequenza 21 readers will doubtless already know that the Albany Symphony is, in orchestral terms, the “mouse that roared.” They’ve long had an extraordinary commitment to contemporary music and their standard of playing is the envy of many regional orchestras. And on the right night and with the right repertoire, they’re in the same “weight class” as some of the top big-budget orchestras. Tonight, Albany SO gets a chance to show their mettle on one of the most prestigious stages on earth. They make their Carnegie Hall debut as part of the Spring for Music festival. The first half of
Read moreThe 2011 incarnation of the MATA Festival starts tonight with a salon at Tyler Rollins Fine Art in Chelsea (details here). Free to festival pass holders – and $50 for single tickets (aren’t you glad you signed up for the festival pass?) – the evening will include discussions with composer Aaron Jay Kernis, Brooklyn Philharmonic director Alan Pierson and three of the festival’s commissioned composers. Metropolis Ensemble will be on hand to provide musical excerpts and there’s a wine and cheese reception. Salons are fun and all, but the meat and potatoes music-making of MATA begins in earnest tomorrow night
Read moreThere’s going to be an album release party tonight at Le Poisson Rouge. Two groups on the New Amsterdam Records roster, NOW Ensemble and the Chiara String Quartet, are celebrating their respective releases. —– Chiara are presenting string quartets by Jefferson Friedman, along with remixes thereof by special guest electronica artists Matmos. Meanwhile, NOW Ensemble presents a mixed program of new synthetists pieces by the likes of Judd Greenstein, Sean Friar, and Missy Mazzoli. Check out Joshua Frankel’s new video Plan of the City below; it will accompany the performance of Greenstein’s Change at the gig. PLAN OF THE
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