Author: Galen H. Brown

Contemporary Classical

Archipelago

Our New York based readers may want to check out the opening concert of Archipelago, the new concert series by New Amsterdam Records, at Galapagos Art Space in Brooklyn.  It’s this Friday, September 25th, and will feature performances by violist Nadia Sirota and percussion quartet Line C3.  Music by Nico Muhly, David T. Little, and Carl Schimmel, with premieres of pieces by Marcos Balter and Our Lady J. Doors open at 7, and the show starts at 8.  Tickets and more information here (use discount code “NEWAM” for online ticket purchases). I haven’t been to Galapagos since they moved to

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Composers, Concerts, Conferences, Contemporary Classical, Kansas City, Minimalism

Minimalism Conference: Final Report

When I finally struck out for the Kansas City airport on Sunday afternoon, Kyle Gann was about 45 minutes into a very chilled-out performance of his heroic four-and-a-half-hour transcription of Dennis Johnson‘s November–a piece which inspired La Monte Young’s The Well Tuned Piano and was the first minimalist piece to employ a diatonic scale, repetition, and to stretch for multiple hours.  November probably would have been lost to history had Kyle not undertaken the work of rescuing it.  Sarah Cahill was going to take over from him at some point that afternoon, and the final notes of that performance were

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Composers, Conferences, Contemporary Classical, Kansas City, Minimalism

Minimalism Conference, Day 4

Tonight’s performance by Charlemagne Palestine was, in short, one of the most extraordinary musical experiences of my life.  Palestine has developed a technique for playing the organ which involves the use of wooden shims to hold down keys so he can build up drones with many notes and still have his hands free to improvise melodies over top of it.  He starts with an open fifth and builds over the course of a couple hours to a dense roar that uses most of the available power of the instrument.  It was mesmerizing.  In truth, I wasn’t expecting to like it

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Conferences, Contemporary Classical, Kansas City, Minimalism, Piano

Minimalism Conference, Day 3

This summary has to be a short one, since I need to finish preparing for my paper presentation tomorrow morning, but today was another excellent conference day.  During the day, in addition to papers there was a concert of Tom Johnson‘s extremely minimal Organ and Silence performed by Neely Bruce.  At dinner time Robert Carl gave a plenary address about In C, a subject on which he has just published a book.  Then we all had some of the justly famous Kansas City barbecue.  In the evening Sarah Cahill, a great champion of contemporary music, gave a concert which included

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Conferences, Contemporary Classical, Kansas City, Minimalism

Minimalism Conference, Day 2

A day that starts at 9AM and ends after 11 at night, in which 15 different people give presentations, and which culminates in a two hour concert, is not a day that is easy to distill down to a single theme (except perhaps happy exhaustion).  We began with no fewer than six papers on Steve Reich, some of which were thematically linked but none of which was redundant.  Perhaps my favorite moment of those morning sessions was when Sumanth Gopinath compared a feature of Different Trains to the music from a classic 1980s IBM commercial.  In the afternoon we had

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Conferences, Contemporary Classical, Kansas City, Minimalism

Minimalism Conference Day 1

If good luck in travel is a harbinger of things to come, then the fact that my flight into Kansas City for the Second International Conference on Minimalist Music actually touched down twenty minutes early is surely a very good sign.  And so far today things have worked out that way. The conference got underway with two papers on Intertextuality in the music of Dutch composer Louis Andriessen and British composer (and the first journalist to use the word “minimalist” to describe music) Michael Nyman.  Apparently Nyman steals liberally from everybody, including himself.  I mean that in only the best

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Contemporary Classical

Draw a Straight Line and Follow it to Kansas City

In just over a week minimalist musicians, scholars, and fans will descend on Kansas City, Missouri for the Second International Conference on Minimalist Music, which runs from September 2 to 6.  I’ll be there–I’m giving a paper on Saturday–and I’ll be blogging regularly to give you a participant’s view of the proceedings–papers, concerts, lunchtime conversations, drunken rants, or whatever else is happening that seems noteworthy.  I’ll also be Twittering (@galenbrown), and the conference has its own Twitter account (@2ndminimalism). We’ll be encouraging other Twitter users to post their own thoughts with the hashtag #minconf. Our pal Kyle Gann is one

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Contemporary Classical

Two Web Services To Watch

HDTracks.com Over the years since the advent of the MP3 file format, every now and then some misinformed or luddite journalist writes an article about how MP3 and digital downloads are killing music because MP3 has lower fidelity than CDs.  I always maintained that MP3 encoding wasn’t nearly as bad as the doomsayers claimed, and that in a few years when file storage got cheaper and internet bandwidth got broader digital downloads would outstrip CDs in quality.  My rationale was that 44.1kHz recording makes CDs high enough in fidelity that there isn’t enough demand for higher quality to make a

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Contemporary Classical

The Little Match Girl Passion / The Record Industry

David Lang’s The Little Match Girl Passion, which won the Pulitzer last year, was released today on a  Harmonia Mundi recording.  Paul Hillier’s Theatre of Voices, who co-commissioned the piece with Carnegie Hall, perform the piece beautifully, and there are nice details in this studio recording that were only hinted at in the live recording which Carnegie Hall made available after the premiere.  You can hear streaming audio here, buy through Amazon here, or support the evil iTunes empire here. My most devoted fans (hi Mom!) will remember that I interviewed David about Match Girl, the Pulitzer, and other things

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