Author: Galen H. Brown

Contemporary Classical

The 60 Minute Challenge

Composer Nolan Stoltz and New Music Hartford are running an interesting project in early August, which they are calling 60/60:  At 3:00 PM (EDT) on August 2nd, instrumentation for a call for scores will be announced at www.nolanstolz.com/nmh.html.  The deadline for submission is one hour later–interested composers have 60 minutes to compose a piece for the presented instrumentation, which will then be considered for inclusion on a concert on August 30, 2009 at 3PM at Art Space, (555 Asylum Avenue in Hartford, CT).  Each selected piece will be rehearsed for 60 minutes. There are of course some interesting strategic considerations. 

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Contemporary Classical

Mantra Percussion Premieres

Mantra Percussion has a gig this Tusday in Manhattan–at 8pm at St. Peter’s Lutheran Church (619 Lexington Ave @ 54th).  It sounds like a promising program, with new piece by Eric Km Clark, Aaron Siegel, and Craig Woodward, and a new arrangement of David Lang’s “Little Eye.”  Mantra member Mike McCurdy (how’s that for alliteration?) helpfully put together some audio notes on the program, which you can hear here: David Lang, Little Eye: http://homepage.mac.com/mccurdymike/Sites/mantra/lang.mp3 Eric Km Clark, Deprivation Music #7: http://homepage.mac.com/mccurdymike/Sites/mantra/clark.mp3 Aaron Siegel, Our Reluctance is Overstated: http://homepage.mac.com/mccurdymike/Sites/mantra/siegel.mp3 Enjoy!

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Contemporary Classical

New Music Bake Sale

Two weeks ago at the First Presbyterian Church in Brooklyn Heights, 25 different organizations in New York’s new music scene assembled for a the first annual New Music Bake Sale; an event that was a cross between a music festival and a the vendor fair at a conference.  I mean that second part in only the best possible sense–in fact the sense of community created by the setup was the best part of the whole event.  Each of the ten ensembles that performed, and fifteen other groups, all had tables lining the main room and the entry area, where they

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Contemporary Classical

In C(arnegie)

I’ve known Terry Riley‘s seminal Minimalist piece In C for a while, and last fall I even produced a performance of it as part of the M50 concert celebrating the 50th anniversary of Minimalism, but I left Carnegie Hall on Friday Night feeling that I hadn’t really understood the piece until then.  That’s how remarkable the concert was. David Harrington, of the Kronos Quartet, was asked to curate this performance in celebration of the 45th anniversary of In C, and he assembled an enormous, star-studded cast, playing just about every instrument you can think of and several that you probably

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Contemporary Classical

Reich Wins Pulitzer

People have been wondering for years when Steve Reich would finally be given a Pulitzer prize.  He has been a finalist three times (for You Are (Variations) in 2005, for Cello Counterpoint in 2004 , and for Three Tales in 2003) and this year he finally won.  The piece is Double Sextet, and it was premiered March 26, 2008 in Richmond, VA.  The New York premiere was on April 17th. Here’s a video of Eighth Blackbird in a recording session for the piece: [youtube]http://www.youtube.com/watch?v=60Rji3yhRs8[/youtube] The jury for the music Pulitzer this year was John Schaefer (WNYC), Dwight Andrews (Emory University)

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Contemporary Classical

Festivals, etc.

The spring festivals are underway; here are three you should know about. 1)  In Boston, the new Beeline Festival (curated by Evan Ziporyn and Christine Southworth) continues tonight with performances by Ensemble Robot and The Loud Objects.  The final concert will be Sunday, with performances by Gamelan Galak Tika and Dewa Ketut Alit.  With Beeline it seems that Boston finally has a new music festival with more of a Downtown slant. 2)  Tonight in Brooklyn, the first annual New Music Bake Sale runs from 7PM to midnight, featuring music from So Percussion, Lisa Moore & Martin Bresnick, Lukas Ligeti, Newspeak, ACME,

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Concerts, Contemporary Classical

Slacker Special

I went to several concerts in early March; I’ve been lazy about reviewing them but they deserve mention. So here are three quick reviews in one: March 1, 2009: Donald Berman at Le Poisson Rouge Berman (at left) is a terrific pianist, and this was overall a very solid program. There were several works by Mark Wingate, all of which were good–they sometimes got a bit generic, but much of the time were fresh and interesting. Wingate’s tape piece Welcome to Medicare is brilliant. He took recordings of Medicare’s already fairly byzantine automated telephone system, then re-cut and processed it to make a sort of bureaucratic

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Contemporary Classical

NEA Gets Stimulus Right

The NEA has announced its plans for the funding it got in the stimulus bill, and the elligibility guidelines make a lot of sense.  Back in early February when the bill was going through congress I expressed concern about whether the NEA would use the funding in a deliberately stimulative way, and, as the Magic 8 Ball would say, “signs point to yes.” According to the NEA website: Projects are limited to: Salary support, full or partial, for one or more positions that are critical to an organization’s artistic mission and that are in jeopardy or have been eliminated as

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Contemporary Classical

Tonight at Alice Tully

The festivities continue at the newly reopened Alice Tully Hall tonight, with a concert they’re calling “New York, New Music, New Hall.” The evening gets underway with a preshow at 5:30 in the outer lobby where ETHEL will play a piece called Space by Phil Kline.  The sold-out main event starts at 7:00 and features a smorgasbord of performances by Alarm Will Sound, the Bang On A Can All-Stars (with special guest Glenn Kotche of Wilco), and Steve Reich and Musicians with Synergy Vocals.  AWS is playing music by Derek Bermel, Oscar Bianchi, and Caleb Burhans.  The All-Stars are playing

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Contemporary Classical

Obama and “The Arts”: A Tale of Elitism and Terminology

The LA Times had an encouraging piece a few days ago about the Obama family’s interest in the non-pop arts (thanks to Alex Ross for the link).  Apparently the Obamas recently attended an Alvin Ailey performance at the Kennedy Center, and the First Family has a long history of participation in, and patronage of, dance, classical music, museums, etc.  The article, however, is chock full of some appaling elitism.  Let’s take a look.

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