Concert review, Contemporary Classical, New York, Opera, Review

“María” Provokes and Penetrates at Le Poisson Rouge

[Ed. note:  Welcome our newest contributor, conductor / percussionist / vocalist / composer Jordan Randall Smith. A Dallas native, Jordan is the Co-founder of the Dallas Festival of Modern Music and the festival’s sister ensemble, Ars Nova Dallas, serving as Conductor and Artistic Director. Jordan’s just moved on to Baltimore to pursue a Doctorate of Musical Arts in orchestral and operatic conducting at the Peabody Conservatory. ] Last weekend, Opera Hispánica concluded their first festival and third season with Astor Piazzolla‘s María de Buenos Aires, his 1968 tango “operita,” or what might be called chamber opera by the wonkish. However, this

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