Microfest Records has released My Dancing Sweetheart, a new album that features music by composers Ben Johnston, Bill Alves and Helmut Oehring. The performers are all first-rate Los Angeles musicians and include Stacey Fraser, vocals, Aron Kallay, keyboards, Shalini Vijavan, violin and Nick Terry, percussion. Subtitled “Just Songs”, My Dancing Sweetheart is an accessible and engaging introduction to the world of Just Intonation and contemporary tonal palettes. Just Intonation is a tuning system that is based on optimizing the frequency ratios between the notes in the scale. Our conventional 12 Tone Equal Temperament tuning, by contrast, assigns specific frequencies to
Read moreCold Blue Music has announced the release of Plain Songs: “Love Comes Quietly”:(after Robert Creeley), a new CD album by composer Peter Garland. As the title explains, Plain Songs consists of seven movements of pipe organ music inspired by the poetry of Robert Creeley. The album artfully blends the simple plainsong traditions of the early church with the later development of the pipe organ. Peter Garland is quoted in the liner notes: “I wanted to write an organ piece that would be intimate and mostly quiet, emphasizing the nature of the organ as a wind instrument capable of long, sustaining
Read moreDalit Warshaw Sirens Carolina Eyck, theremin Boston Modern Orchestra Project, Gil Rose, conductor Dalit Warshaw (b. 1974) is a multi-threat artist. As a composer and pianist, she has created a distinguished career. Her first orchestra piece was commissioned when she was eight years old, and this prodigious distinction has been followed by a body of work that encompasses music for orchestra, chamber ensembles, vocalists, choruses, and Letters of Mademoiselle (2018), a staged song cycle for the talented soprano Nancy Allen Lundy. The theremin has become an important part of her work. Warshaw has performed the instrument in high
Read moreUnseen World is a new release by composer Mara Gibson on the Mark Masters record label. The album consists of five works composed between 2020 and 2024 that are inspired by vivid visual art that is both expressive and complex. Various instrumental ensembles are employed including a piano and cello duet, a brass quintet, trumpet duet, woodwind duet and a large chamber orchestra. The meticulous writing present in the scores, the outstanding technique of the musicians and remarkable efforts by the soloists make Unseen World an impressive realization of contemporary musical expression. The first piece on the album is Swansongs
Read moreSwimming Bell Somnia EP Perpetual Doom Summers have been getting progressively hotter in much of the world. Here in the Northeast United States, we have had a mild Spring, but anticipate that summer will be a scorcher. Happily, singer/songwriter Katie Schottland ‘s project Swimming Bell has returned to serenade the season. Swimming Bell’s latest EP, Somnia (Perpetual Doom, 2025) adopts a summery vibe. “95 at Night” both embraces the heat with fevered blur and seeks to assuage it with soothing vocals, pedal steel, and an undulating beat. The end of a summer romance could find little better to
Read moreSimone Dinnerstein and Baroklyn Perform Glass at Merkin Hall Kaufman Music Center Piano Dialogues Simone Dinnerstein with Baroklyn May 12, 2025 Published on Sequenza 21 NEW YORK – Last Monday, the pianist Simone Dinnerstein brought her Baroklyn project to Kaufman Music Center’s Merkin Hall to perform an all Philip Glass program. Baroklyn is a string ensemble, augmented at the concert by harp and celesta, assembled by Dinnerstein from musician friends with an eye towards a mostly, but not exclusively, female group. The concert opener was The Hours Suite, excerpted from the film score and arranged by Michael
Read morePierre Boulez – Livre pour quatuor Quatuor Diotima Pentatone Record CD/download The centenary of Pierre Boulez’s birth has been celebrated with concerts, books and recordings. The Diotima Quartet’s Pentatone CD of Livre pour quatuor (1948-1949, 2017) is a distinctive offering in that it includes a previously unperformed version of the piece. With permission and supervision of Boulez, the composer Philippe Manoury assisted in completing the fourth movement for Diotima. Thus, this is the first complete recording of Livre pour quatuor. At nearly an hour long, it is one of the largest of Boulez’s early compositions. Pizzicato and glissando
Read moreMichael Tippett New Year Rhian Lois soprano Ross Ramgobin baritone Susan Bickley mezzo-soprano Roland Wood baritone Robert Murray tenor Rachel Nicholls soprano Alan Oke tenor BBC Singers BBC Scottish Symphony Orchestra, Martyn Brabbins, conductor NMC Recordings Michael Tippett’s final opera, New Year (1988) has finally been recorded. The work was produced in Houston in 1989 and Glyndebourne in 1990 and then fell out of the repertoire. The Birmingham Opera performed it last year, and the NMC double-CD recording is of a 2024 live semi-staged production by the BBC Scottish Symphony, conducted by Martyn Brabbins. New Year’s reemergence is
Read moreSatie Alain Planès, Pleyel piano (1928) François Pinel, piano duets, Marc Mauillon, baritone Harmonia Mundi In 2025, substantial attention is being paid to the 150th anniversary of Maurice Ravel’s birth. Pianist Alain Planès has instead decided to celebrate the centenary of Erik Satie’s passing with a recording of music from the various stylistic periods of the eclectic composer’s oeuvre. Most of the music are works originally for piano and transcriptions, but there is a set of four-hands pieces and another of songs. At age seventy-seven, Planès has maintained his technique and interpretive skill, accommodating the varying demeanors –
Read moreLisa Illean Arcing, stilling, bending, gathering NMC Records, 2024 Composer Lisa Illean (b. 1983) is from Australia and has been based in recent years in the UK. Her work encompasses a variety of techniques, including alternate tunings and sampled electronics. These are means to consummately expressive ends, and Illean’s music maintains an organic sensibility irrespective of how the sounds are formed. The title piece, performed by the Australian Academy of Music, is split into various constellations of sound: small groups of strings, solo piano, and pre-recorded sound. Illean uses detuned pitch collections to make a supple harmonic language. Like much
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