Cello

CDs, Cello, Chamber Music, Concerts, Contemporary Classical, Downtown, Experimental Music, File Under?, New York, viola

Tuesday at LPR: Garth Knox Celebrates Saltarello

Saltarello Garth Knox, viola & fiddle with Agnès Vesterman, cello & Sylvain Lemêtre, percussion ECM Records CD 2157 Dance music in multiple forms, from the saltarello, a Venetian dance dating back to the Fourteenth century, to  Breton and Celtic folk music, as well as transcriptions of medieval era compositions, Renaissance era consort music, and contemporary fare, are featured on Saltarello, violist Garth Knox’s latest ECM CD.  Among the early music slections, Particularly impressive is a Vivaldi concerto, performed in a duo arrangement for viola d’amore and cello. Its interpreters, Knox and Agnès Vesterman, take this continuo less opportunity to accentuate a

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Cello, Concerts, Contemporary Classical, File Under?, Music Events, New York, S21 Concert, viola

Guest post: Clarice Jensen and Nadia Sirota

Clarice: So, ahem, Nadia it was pretty remarkable when we switched from reading from the score to parts when we were working on Hayes’ piece (ed.: Steal Away by Hayes Biggs). It’s like the music took on a different meaning. Nadia: I know!! I find that stuff so incredible. Sometimes I forget that a massive portion of our jobs as musicians (especially of the new music persuasion) is essentially translating visual material into sound. We’re kind of like professional map-readers. Do you have any notational pet peeves? Clarice: Page turns of course… But other than that, just spacing in general.

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Bang on a Can, Cello, Contemporary Classical, Downtown, Electro-Acoustic, File Under?, Video

Avant Cellist’s Ideas Worth Spreading

Maya Beiser, everyone’s favorite ex-Can Banging All Star downtown cellist, was an invited presenter at the March 2011 TED conference. The TED site recently released a high quality video of her lecture recital, and it’s already garnered over 80,000 views! TED’s slogan: “Ideas worth spreading.” We’re glad that Maya’s getting the chance to spread the word about Steve Reich’s Cello Counterpoint and David Lang’s World to Come far and wide!

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CDs, Cello, Contemporary Classical, Deaths, File Under?

Peter Lieberson: The Six Realms

Peter Lieberson’s record label, Bridge Records, has been kind enough to share some of his music with us: an excerpt from The Six Realms, for Cello and Orchestra (2000), one of his later and larger works and a piece that has an explicitly Buddhist programmatic element. Here is movement 5, performed by cellist Michaela Fukacova, the Odense Symphony Orchestra, and conducted by Justin Brown. The recording is from Bridge 9178, The Music of Peter Lieberson. The Six Realms:  V. The Human Realm Program Note: In addition to silk and other precious goods, the Silk Road helped disseminate Buddhism, one of

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Cello, Chamber Music, Concerts, Contemporary Classical, File Under?, Minimalism, New York

Maya Beiser at the Rubin Museum Tonight

In the current economy—particularly in the recording industry—expediency can sometimes trump artistry. All too often, classical artists with a recent CD release can’t afford to worry too much about the curatorial vision of a concert series on which they appear: they’ve got to make their album’s program fit somehow in order to promote the product. During a recent consultation with a marketing professional, I learned that some venues have begun exploring partnerships with オンラインカジノ to secure additional sponsorship revenue, a strategy that has already sparked both interest and debate among artists. Happily, there are still times when an artist’s work

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Broadcast, CDs, Cello, Composers, Contemporary Classical, Interviews, New York, Percussion, Premieres, Radio

Tune in Wednesday for Marvin, Morty and Maya

Heads-up, listeners! WPRB‘s Classical Discoveries host Marvin Rosen has a couple nice treats through the day this Wednesday: Wednesday, July 14, 2010 at 11:00am (EDT) Classical Discoveries Goes Avant-Garde will present the world premiere broadcast of Morton Feldman‘s 21-minute ‘lost work’ Dance Suite [For Merle Marsicano] (1963), recorded by Glenn Freeman, percussion and Debora Petrina, piano-celeste. This is ahead of its September limited-edition release on OgreOgress Records. Originally composed for the dancer and choreographer Merle Marsicano, it was the longest work Feldman had composed to date and provides insight into his upcoming 1964 solo percussion work The King of Denmark.

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Cello, Click Picks, Composers, Concerts, Contemporary Classical, Video

Composing and Listening Out Loud

Saturday, March 27th at 7:30pm CDT, anyone in driving range of Birmingham, Alabama should be paying UAB’s Hulsey Recital Hall (950 13th Street South) a visit. Back last year, Meet the Composer’s Met Life Creative Connections Program gave some funding for a program of new compositions by three composers (Connecticut-based Alphonse Izzo, Aleksander Sternfeld-Dunn from Washington State, and Alabama resident Craig Biondi), all written for the fantastically able chops of cellist Craig Hultgren. What’s that, you say you’re not going to be anywhere near Birmingham just then? Why son, you’re as close as that little screen in front of your

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Cello, Composers, Contemporary Classical, New York, Premieres, Saxophone

Intimate epics: Michael Hersch’s “Last Autumn”

There was a fair amount of buzz a couple years ago (including here at s21), when composer Michael Hersch‘s enormous piano canvas The Vanishing Pavilions was released on CD. What the New York Times has written about Hersch’s work in general seems to apply quite well to this two-hour-plus piece: “If the symmetries and proportions of Mr. Hersch’s music evoke the grounded fixity of architecture, its dynamism and spontaneous evolution are those of the natural world. Its somber eloquence sings of truths that are personal yet not confessional… Within the sober palette, the expressive power and range are vast.” Turns

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Cello, Composers, Contemporary Classical, Orchestral, Performers, Premieres

Cellist Composer Model

Nina Kotova premieres a new work by Christopher Theofanidis this weekend in Dallas. In the second part of looking at the new work, I spoke with the soloist about the piece, and learned more about how the piece came into being. Listen to our conversation: mp3 file The concert takes place Thursday, Friday & Saturday – and more performances coming up in Asia & Europe.

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Cello, Composers, Concerts, Contemporary Classical, Interviews, Orchestral, Premieres

There’s always room for Cello

This week, the Dallas Symphony premieres a new concerto written for cellist Nina Kotova. Christopher Theofanidis is teaching at Yale and about to embark on two new operas for Houston and San Francisco. He took some time out last week to let me know more about the work and what he’s been up to! Listen to the conversation: mp3 file Tomorrow, a post with the soloist, who also composes…

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