The International Contemporary Ensemble will be featured at 7 PM tonight on Q2. Hosted by John Schaefer, this live broadcast from Yamaha Piano Salon in NYC is a sneak preview of Lincoln Center Festival’s Varèse: (R)evolution. (R)evolution will present the composer’s entire oeuvre over two concerts on July 19 &20. Performers include the New York Philharmonic, conductor Alan Gilbert, percussionist Steven Schick, and ICE. Program: Density 21.5 (1936) with Claire Chase, flute Un Grand Sommeil Noir (1906) with Samantha Malk, soprano Ameriques (NEW YORK PREMIERE of 8-hand piano version) (1929) with Jacob Greenberg, Amy Williams, Amy Briggs and Thomas
Read moreJeremy Podgursky — one of the composers we liked so much that he ended being selected for our last S21 concert presentation — is throwing a joint shindig with fellow composer Daniel Wohl, this Thursday July 8th, 7:00pm at the littlefield performance/art space (622 Degraw Street, between 3rd and 4th Avenue, Brooklyn), $8.00. Performers include Sara Budde, clarinet; Emily Popham Gillins, violin; John Popham, cello; Kevin Sims, percussion; Bethany Pietroniro and Timo Andres, piano; and more TBA. Podgursky and Wohl will be splitting the bill alternating their way through nine works in all, featuring recent small ensemble, electronic/electro-acoustic and solo pieces. Two excellent composers,
Read moreThe last thing that Alan Gilbert or the New York Philharmonic needs is another affirmation that they have done something important and memorable by producing Le Grand Macabre in May. There were three (perhaps more?) New York Times articles over 11 days (May 18th, 23rd, 28th), an nice summary over on Anne Midgette’s Washington Post blog, and from just a few days ago there was this over at Newsweek. Of course our own site added to the frenzy of press/buzz here, here, here, here, here, here, and here – and with good reason! I’m quite happy to throw my hat
Read moreStaying in NYC this 4th of July holiday weekend? Then come partake of some musical fireworks and pan-patriotic pride as vocalist extraordinaire Phillip Cheah (his vocal range could well classify him as “soprano/baritone”) and pianist Trudy Chan serve up American Dim Sum – A celebration of the American song. The carts will be full of dishes of American fare: beloved songs by Ned Rorem, Samuel Barber, Dominick Argento, Aaron Copland, Amy Beach, and Jack Beeson, as well as exotic delicasies by John Cage (The Wonderful Widow of Eighteen Springs), Henry Cowell (Three Anti-Modernist Songs, written during his incarceration at San
Read moreAmos Elkana was one of the composers I found/heard/met almost a decade ago on the original grand experiment in social music-sharing, MP3.com. With an obsidian-like hardness, sheen and edge, his compositions grabbed me then and continue to do so now. Born in the U.S. but raised in Israel, then off to Europe and back to the U.S. to study, Amos pulls together strands of all these places, looking for where the roots tangle and grow together. But the other “root” I didn’t know about then was that Amos’ musical interests had started with jazz and guitar. It was only after
Read moreNot a short order in a Greek coffee shop but the first American open-air performance of Iannis Xenakis’ Persephassa (1969), a thunderous work for six percussionists, including founding member of the Bang on a Can All-Stars Steven Schick and former So Percussion-ist Doug Perkins. The musicians were situated around the Boating Lake in Central Park, with the audience members in the center – in rowboats. Q2, the Internet’s best new classical station, asked its audience to document the event which resulted in a slide show here and a nearly complete video from Liubo Borissov: persephassa on the lake from liubo on Vimeo.
Read moreThe final American Modern Ensemble concerts of the season are happening this Thursday and Friday (June 24 and 25, 8pm) at Faust Harrison Pianos. Stephen Gosling and Blair McMillen will be throwing-down on works for two pianos by John Adams (Hallelujah Junction), John Corigliano (Chiaroscuro), Mary Ellen Childs (Kilter), Amanda Harberg (Subway), Doug Opel (Dilukkenjon), Frederic Rzewski (Winnsboro Cotton Mill Blues), and the world premiere of Deep Blue Ocean by AME founder and Artistic Director, Robert Paterson. There will be limited seating over at Faust Harrison so you might want to save a couple bucks over the price at the
Read moreThe Orchestra of the League of Composers (ISCM) presented the group’s “season finale” at Miller Theatre on Monday June 7, 2010. True, this is a pickup orchestra, but you’d never know it from listening. Composer/conductor Lou Karchin confidently led the group through a wide stylistic range of pieces, including New York and World premieres. WNYC’s Jonathan Schaefer hosted, engaging the composers in brief interviews between the various pieces. D.J. Sparr’s piece DACCA:DECCA:GAFFA featured ace new music guitarists William Anderson and Oren Fader playing steel string acoustic instruments alongside the ensemble. The title referred to a set of chord progressions that
Read moreKicking off in just a matter of hours, this year’s Ojai Music Festival has a schedule sure to make a number of East-Coasties feel they picked the wrong ocean to live by. This year features a multi-part symposium, starting at 3:30pm this (10 June) afternoon with “The 21st Century Musician“. Ara Guzelimian will lead a panel of diverse and creative musicians in exploring questions such as “Where is the music industry heading?” “What are the changing roles of musicians?” “What are the opportunities?” “What are the challenges?”… Panelists will include violinist and 2009 Ojai artist Carla Kihlstedt, LA Chamber Orchestra concertmistress
Read moreEclectic in their programming and superlatively talented, the Locrian Chamber Players have a unique mandate: they are the only new music ensemble which limits their repertoire to works composed in the last decade. This has led them to give countless American and World premieres of works. LCP are giving a concert this Thursday at Riverside Church, uptown in NYC. I caught up with the group’s director, David Macdonald, who whets my appetite for what looks to be an exciting concert. CBC: How did you come to commission Malcolm Goldstein’s The Sky has Many Stories to Tell? DM: A long time
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